Guitarra popular rasgueada “pre-flamenca” en la primera mitad del siglo XIX: fuentes escritas

Abstract

Following with our analysis of sources about the popular ¨rasgueada¨ guitar pre-flamenca in the first middle of the XIX century to observe the step of popular to flamenco in the touch, now, we proceed to tell a selection of written costumbrist sources and the nineteenth-century literature of trips, recurrents in the study about flamenco. It will of Estebánez Calderón ¨El Solitario¨, Richard Ford, Charles Dembowski, Teophile Gautier, Glinka and Mariano Vazquez about Francisco Rodriguez ¨El Murciano¨, sources wich will finish the musicologys and the iconographys yet announce in the pages of this magazine.

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