The Significance of Copyright History for Publishing History and Historians

Abstract

What can and can’t be copied is a matter of law, but also of aesthetics, culture and economics. The act of copying, and the creation and transaction of rights relating to it, evokes fundamental notions of communication and censorship, of authorship and ownership – of privilege and property. Exploring developments in the regulation of printing in Europe and North America from the fifteenth century onwards, as well as the specific evolution of rights associated with the visual and performing arts, this volume conceives a new history of copyright law that has its roots in a wide range of norms and practices.

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