SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Flickering shadows: cinema and identity in colonial Zimbabwe
0 references·9 citing·21 second hop
Flickering shadows: cinema and identity in colonial Zimbabwe (2002)Flickering shadows: cinema and identity i…‘Are You Proud to Be British?’: Mobile Film Shows, Local Voices and the Demise of the British Empire in Africa (2015)‘Are You Proud to Be British?…Mapping Africa (2013)Mapping AfricaPROJECTING THE PROMISE OF 16MM, 1935–45 (2011)PROJECTING THE PROMISE OF 16M…Projecting the Modern Colonial State: The Mobile Cinema in Kenya (2011)Projecting the Modern Colonia…MECHANICAL CRAFTSMANSHIP: (2011)MECHANICAL CRAFTSMANSHIP:BIG, FAST MUSEUMS / SMALL, SLOW MOVIES: (2011)BIG, FAST MUSEUMS / SMALL, SL…A HISTORY LONG OVERDUE: (2011)A HISTORY LONG OVERDUE:African Jim: sound, politics, and pleasure in early ‘black’ South African cinema (2010)African Jim: sound, politics,…The Bureaucratic Activist: Federal Filmmakers and Social Change in the U.S. Department of Agriculture’s Tick Eradication Campaign (2009)The Bureaucratic Activist: Fe…Signal and noise: media, infrastructure, and urban culture in Nigeria (2009)Wondrous Difference: Cinema, Anthropology, and Turn-Of-The-Century Visual Culture (2001)A fierce discontent: the rise and fall of the Progressive movement in America, 1870-1920 (2004)'Enemy Aliens' and 'Silk Stocking Girls': The Class Politics of Internment in the Drive for Urban Order during World War I (2017)Popular Arts in Africa (1987)Homelands, Harlem and Hollywood: South African Culture and the World Beyond (1994)Bizet in Khayelitsha: U-Carmen eKhayelitsha as audio-visual transculturation (2010)Domination and the Arts of Resistance (2017)La ville des auditeurs : radio, rumba congolaise et droit à la ville dans la cité indigène de Léopoldville (1949-1960) (2019)Thought and language (1962)Understanding Media: The Extensions of Man (1964)Selections from the prison notebooks of Antonio Gramsci (2015)British Cinema History (1983)Twenty-Five Black African Filmmakers (1990)Separating the Men from the Boys: Constructions of Gender, Sexuality, and Terrorism in Central Kenya, 1939-1959 (1990)Histories of the Hanged: The Dirty War in Kenya and the End of Empire (2005)Defeating Mau Mau, Creating Kenya: Counterinsurgency, Civil War, and Decolonization (2010)At Home on Safari: Colonial Spectacle, Domestic Space and 1950s Television (2013)‘Work/place’ media: locating laboring audiences (2014)Lenses for Lantern: Data Mining, Visualization, and Excavating Film History's Neglected Sources (2014)1960–1962. The international science film exhibition at the Museo Nazionale della Scienza e della Tecnica “Leonardo da Vinci” in Milan: The engineer’s solution to the problem of bridging museum, science, and cinema (2018)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2015‘Are You Proud to Be British?’: Mobile Film Shows, Local Voices and the Demise of the British Empire in Africa56 cited
  • 2011A HISTORY LONG OVERDUE:28 cited
  • 2009The Bureaucratic Activist: Federal Filmmakers and Social Change in the U.S. Department of Agriculture’s Tick Eradication Campaign25 cited
  • 2011Projecting the Modern Colonial State: The Mobile Cinema in Kenya23 cited
  • 2010African Jim: sound, politics, and pleasure in early ‘black’ South African cinema15 cited
  • 2011MECHANICAL CRAFTSMANSHIP:12 cited
  • 2011PROJECTING THE PROMISE OF 16MM, 1935–457 cited
  • 2011BIG, FAST MUSEUMS / SMALL, SLOW MOVIES:6 cited
  • 2013Mapping Africa4 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work