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The “tselostnyĭ analiz” (holistic analysis) of Zuckerman and Mazel
4 references·1 citing·16 second hop
The “tselostnyĭ analiz” (holistic analysis) of Zuckerman and Mazel (2014)The “tselostnyĭ analiz” (holistic analysi…The Parameter Complex in the Music of Sofia Gubaidulina (2014)The Parameter Complex in the …How We Got Out of Analysis, and How to Get Back In Again (2004)How We Got Out of Analysis, a…2 How We Got into Analysis, and How to Get Out (1994)2 How We Got into Analysis, a…The theory of music in Russia and the Soviet Union, ca. 1650--1950 (1988)The theory of music in Russia…Defining and Defending Music Analysis in the Soviet 1930s (2020)Defining and Defending Music …Sofia Gubaidulina: "My Desire Is Always to Rebel, to Swim against the Stream!" (1998)The Importance of Bodily Gesture in Sofia Gubaidulina’s Music for Low Strings (2009)Alfred Schnittke’s Triadic Practice (2017)Consonance, Dissonance, and Formal Proportions in Two Works by Sofia Gubaidulina (2020)Naming the Frames that Shape Us (2020)Formation of Russian Musicology from Sacchetti to Asafyev, 1885-1931 (2015)How Soviet Musicology became Marxist (2019)The Concept of Mutability in Russian Theory (2014)On the Russian Concept of Lād, 1830–1945 (2019)Topic Theory in Soviet Musicology (2022)Minimal Challenges: Process Music and the Uses of Formalist Analysis (2006)Music as Discourse (2008)Broken Beauty (2018)Schoenberg – Schenker – Bach. A Harmonic, Contrapuntal, Formal Braid (2019)TEACHING TERTIARY MUSIC IN THE #METOO ERA (2020)Teaching Music Performance in Higher Education (2024)
this work references cited by second hop

References

  • 2004How We Got Out of Analysis, and How to Get Back In Again189 cited
  • 1988The theory of music in Russia and the Soviet Union, ca. 1650--195024 cited
  • 19942 How We Got into Analysis, and How to Get Out10 cited
  • 2014The Parameter Complex in the Music of Sofia Gubaidulina10 cited

Cited by

  • 2020Defining and Defending Music Analysis in the Soviet 1930s3 cited

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