SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
The revenger's tragedy
0 references·16 citing·39 second hop
The revenger's tragedy (1967)The revenger's tragedy‘My voice shall ring in your ears’: The acousmatic voice and the timbral sublime in the Gothic romance (2016)‘My voice shall ring in your …Screening early modern drama: beyond Shakespeare (2014)Screening early modern drama:…Decision Theory and Human Behavior (2014)Decision Theory and Human Beh…Hamlet, Metaphor, and Memory (2012)Hamlet, Metaphor, and Memory"Killing, Hewing, Stabbing, Dagger-drawing, Fighting, Butchery": Skin Penetration in Renaissance Tragedy and Its Bearing on Dramatic Theory (2012)"Killing, Hewing, Stabbing, D…The Character of Credit and the Problem of Belief in Middleton's City Comedies (2007)The Character of Credit and t…Emotions and culpability: How the law is at odds with psychology, jurors, and itself. (2006)Emotions and culpability: How…The Mother as Bawd in The Revenger's Tragedy and A Mad World, My Masters (2003)The Mother as Bawd in The Rev…‘For Show or Useless Property’: Necrophilia and The Revenger’s Tragedy (2001)‘For Show or Useless Property…Conferring with the Dead: Necrophilia and Nostalgia in the Seventeenth Century (1999)Conferring with the Dead: Nec…Penitent Brothellers: Grace, Sexuality, and Genre in Thomas Middleton's City Comedies. (1997)Penitent Brothellers: Grace, …The Plague and its Powers in Artaudian Theatre (1990)The Plague and its Powers in …Daughters of the game: Troilus and Cressida and the sexual discourse of 16th-century England (1990)Daughters of the game: Troilu…An initial investigation of the usability of fictional conversation for doing conversation analysis (1987)An initial investigation of t…Iconography and Characterization in English Tragedy 1585–1642 (1978)Iconography and Characterizat…Comic, tragic, or absurd? On some parallels between the farces of Joe Orton and seventeenth‐century tragedy (1978)Comic, tragic, or absurd? On …The expression of the emotions in man and animals. (1872)Judgment under Uncertainty: Heuristics and Biases (1975)Emotion And Adaptation (1991)From False Confession to Wrongful Conviction: Seven Psychological Processes (2010)‘Impressed’ by Feelings-How Judges Perceive Defendants’ Emotional Expressions in Danish Courtrooms (2018)The Family, Sex and Marriage in England 1500-1800. (1979)Renaissance Self-Fashioning from More to Shakespeare (1981)Renaissance Self-Fashioning from More to Shakespeare (1982)Studies in Ethnomethodology. (1968)A simplest systematics for the organization of turn-taking for conversation (1974)How To Do Things With Words (1975)The body in pain (1985)The Social Life of Things (1986)3.2. MARXISM AND LITERATURE (2006)Porn of the Dead: Necrophilia, Feminism, and Gendering the Undead (2011)Gender Monstrosity (2012)The History of Sexuality (1976)Writing and Difference (1980)Religion and the Decline of Magic (2017)The Art of Memory (1966)A Greek-English lexicon (1968)The Cambridge History of Renaissance Philosophy. (1992)Totem and Taboo (1913)The Gnostic Religion (1959)Violence and the Sacred. (1978)The Nature of the Firm (1937)The Strength of Weak Ties (1973)Bowling alone: the collapse and revival of American community (2000)Statistical Risk Assessment: Old Problems and New Applications (2005)Stock Market Investors: Who Is More Rational, and Who Relies on Intuition? (2012)Music-induced emotions influence intertemporal decision making (2021)The Literature of Terror: A History of Gothic Fictions from 1765 to the Present Day (1982)A Voice and Nothing More (2006)Victorian gothic soundscapes (2018)The Coherence of Gothic Conventions (2023)The Dialogic Imagination: Four Essays (1982)Powers of Horror: An Essay on Abjection (1984)Subculture: The Meaning of Style (1995)Not Making a Movie: The Livecasting of Shakespeare Stage Productions by The Royal National Theatre and The Royal Shakespeare Company (2016)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2014Decision Theory and Human Behavior42 cited
  • 1987An initial investigation of the usability of fictional conversation for doing conversation analysis28 cited
  • 2014Screening early modern drama: beyond Shakespeare26 cited
  • 2006Emotions and culpability: How the law is at odds with psychology, jurors, and itself.22 cited
  • 1990Daughters of the game: Troilus and Cressida and the sexual discourse of 16th-century England17 cited
  • 1990The Plague and its Powers in Artaudian Theatre16 cited
  • 1999Conferring with the Dead: Necrophilia and Nostalgia in the Seventeenth Century12 cited
  • 2012Hamlet, Metaphor, and Memory9 cited
  • 2001‘For Show or Useless Property’: Necrophilia and The Revenger’s Tragedy9 cited
  • 2016‘My voice shall ring in your ears’: The acousmatic voice and the timbral sublime in the Gothic romance8 cited
  • 2007The Character of Credit and the Problem of Belief in Middleton's City Comedies7 cited
  • 1978Iconography and Characterization in English Tragedy 1585–16426 cited
  • 2012"Killing, Hewing, Stabbing, Dagger-drawing, Fighting, Butchery": Skin Penetration in Renaissance Tragedy and Its Bearing on Dramatic Theory5 cited
  • 1997Penitent Brothellers: Grace, Sexuality, and Genre in Thomas Middleton's City Comedies.

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

5 cited
  • 2003The Mother as Bawd in The Revenger's Tragedy and A Mad World, My Masters4 cited
  • 1978Comic, tragic, or absurd? On some parallels between the farces of Joe Orton and seventeenth‐century tragedy4 cited