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Lucille Meets GuitarBot: Instrumentality, Agency, and Technology in Musical Performance
16 references·2 citing·38 second hop
Lucille Meets GuitarBot: Instrumentality, Agency, and Technology in Musical Performance (2016)Lucille Meets GuitarBot: Instrumentality,…The Presentation of Self in Everyday Life (2023)The Presentation of Self in E…The Cambridge Companion to Performance Studies (2008)The Cambridge Companion to Pe…The Body and the Screen: Theories of Internet Spectatorship (2006)The Body and the Screen: Theo…The Body and the Screen (2006)The Body and the ScreenSeeing music performance: Visual influences on perception and experience (2005)Seeing music performance: Vis…Dumbstruck: A Cultural History of Ventriloquism (2002)Dumbstruck: A Cultural Histor…In the Houses of the Holy: Led Zeppelin and the Power of Rock Music (2001)In the Houses of the Holy: Le…In the Houses of the Holy (2001)In the Houses of the HolyDumbstruck (2000)DumbstruckThe Screen Test of the Double: The Uncanny Performer in the Space of Technology (1999)The Screen Test of the Double…Musical performance: a philosophical study (1999)Musical performance: a philos…The Art of Interaction: Interactivity, Performativity, and Computers (1997)The Art of Interaction: Inter…The Consumption of Performance (1992)The Consumption of PerformanceManaging What Consumers Learn from Experience (1989)Managing What Consumers Learn…The Composer's Voice (1974)The Composer's VoiceThe Presentation of Self in Everyday Life. (1956)The Presentation of Self in E…Embodied Expression in Popular Music (2024)Embodied Expression in Popula…Embodying Dynamical Systems in Music Performance (2023)Embodying Dynamical Systems i…PSYCHOLOGICAL CONDITIONS OF PERSONAL ENGAGEMENT AND DISENGAGEMENT AT WORK. (1990)Framing Processes and Social Movements: An Overview and Assessment (2000)Users of the world, unite! The challenges and opportunities of Social Media (2009)Being and Nothingness (2022)The Economic Institutions of Capitalism (1987)Going to Extremes: Managing Service Encounters and Assessing Provider Performance (1995)Rediscovering Satisfaction (1999)Examining branding co-creation in brand communities on social media: Applying the paradigm of Stimulus-Organism-Response (2017)The Interpretation of Cultures (2017)Unheard melodies: narrative film music (1988)Textual Politics: Discourse and Social Dynamics (1996)Analysing Musical Multimedia (1998)Mirroring in Dance/Movement Therapy: Potential mechanisms behind empathy enhancement (2011)Bodily movement and facial actions in expressive musical performance by solo and duo instrumentalists: Two distinctive case studies (2012)When the Eye Listens: A Meta-analysis of How Audio-visual Presentation Enhances the Appreciation of Music Performance (2012)Belief, Attitude, Intention and Behavior: An Introduction to Theory and Research (1975)Judgment under Uncertainty: Heuristics and Biases (1975)Effects of Word-of-Mouth and Product-Attribute Information on Persuasion: An Accessibility-Diagnosticity Perspective (1991)When Good Brands Do Bad (2004)Development of a Scale to Measure Memorable Tourism Experiences (2010)Advances in Consumer Research (2025)Cross-Modal Dynamic Capture: Congruency Effects in the Perception of Motion Across Sensory Modalities. (2004)The Routledge Companion to Creativity (2008)Cassandra and the Poetics of Prophecy in Greek and Latin Literature (2019)Schubert's Promissory Note: An Exercise in Musical Hermeneutics (1982)Theorizing Musical Meaning (2001)Action and Agency Revisited (2013)Doing anthropology in sound (2004)Soundscapes: Toward a Sounded Anthropology (2010)Polyphony, Ventriloquism, and Constitution: In Dialogue with Bakhtin (2014)Pornographies of Violence? Internet Spectatorship on Body Horror (2008)Surprise homecomings and vicarious sacrifices (2013)Live-streaming, games and politics of gender performance: The case of Nüzhubo in China (2017)Social Identity Theory and the Organization (1989)Emotional Intelligence (1990)Philosophical Perspectives On Music’s Expressiveness (2001)Combining creativity and control: Understanding individual motivation in large-scale collaborative creativity (2011)Using musical agency as a lens: Researching music education from the angle of experience (2011)
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References

  • 1956The Presentation of Self in Everyday Life.25,991 cited
  • 2023The Presentation of Self in Everyday Life17,564 cited
  • 1989Managing What Consumers Learn from Experience1,115 cited
  • 2000Dumbstruck472 cited
  • 1974The Composer's Voice387 cited
  • 1992The Consumption of Performance358 cited
  • 2002Dumbstruck: A Cultural History of Ventriloquism327 cited
  • 1999Musical performance: a philosophical study255 cited
  • 2005Seeing music performance: Visual influences on perception and experience230 cited
  • 2006The Body and the Screen112 cited
  • 2001In the Houses of the Holy103 cited
  • 2008The Cambridge Companion to Performance Studies97 cited
  • 2006The Body and the Screen: Theories of Internet Spectatorship93 cited
  • 1997The Art of Interaction: Interactivity, Performativity, and Computers67 cited
  • 1999The Screen Test of the Double: The Uncanny Performer in the Space of Technology66 cited
  • 2001In the Houses of the Holy: Led Zeppelin and the Power of Rock Music62 cited

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Cited by

  • 2024Embodied Expression in Popular Music7 cited
  • 2023Embodying Dynamical Systems in Music Performance5 cited