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Cited by

• 2018Making Light Haydn, Musical Camp, and the Long Shadow of German Idealism52 cited
• 2020Prolongational Closure in the Lieder of Fanny Hensel35 cited
• 2020Rethinking Mendelssohn31 cited
• 2018Making Light Haydn, Musical Camp, and the Long Shadow of German Idealism27 cited
• 2021The Songs of Fanny Hensel21 cited
• 2021“You too may change”18 cited
• 2021Songs of Travel16 cited
• 2021Plagal Cadences in Fanny Hensel’s Songs16 cited
• 2020Fanny Hensel’s Sechs Lieder, Op. 915 cited
• 2020Changes of Pace15 cited
• 2020‘Time Is, Time Was, Time Is Past’15 cited
• 2023Formal Excess in the Opening Movement of Fanny Hensel’s String Quartet in E♭ Major (1834)12 cited
• 2016Music and the Agents of Obsession10 cited
• 2024Where are the female composers? Human capital and gender inequality in music history7 cited
• 2020Syntax and Process in the First Movement of Mendelssohn’s Piano Trio, Op. 667 cited
• 2011Thinking (and Singing) in Threes