Colour Films in Britain: The Negotiation of Innovation 1900-1955

Sarah Street

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Cinema History and Criticism Cinema and Media Studies South Asian Cinema and Culture

Abstract

Acknowledgements Introduction Colour and Silent Cinema Colour and Sound Cinema Genre: Colour, Fantasy and Realism Questions of Aesthetics: Image, Sound, Colour Colour and the Audience: Stars, Gender, Colour and Society Creating Colour in British Cinema: Questions of Authorship and Aesthetics Technical Appendix S.Brown Notes Bibliography Index

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2013The temporalities of intermediality: Colour in cinema and the arts of the 1920s

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