SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Theatrical Events. Borders-Dynamics-Frames
0 references·9 citing·39 second hop
Theatrical Events. Borders-Dynamics-Frames (2004)Theatrical Events. Borders-Dynamics-FramesPerforming Early Christian Literature (2021)Performing Early Christian Li…What UK Spectators Know: Understanding How We Come to Value Theatre (2014)What UK Spectators Know: Unde…Behaviour and attitude: the Theatre Talks method as audience development (2014)Behaviour and attitude: the T…Negotiating cultural identity through the arts: Fitting in, third space and cultural memory (2011)Negotiating cultural identity…Improvisational Teaching as Mode of Knowing (2011)Improvisational Teaching as M…Theatre Performance in Museums: Art and Pedagogy (2010)Theatre Performance in Museum…Exploring the theatrical experience: Results from an empirical investigation. (2010)Exploring the theatrical expe…Is Performance Studies Imperialist? Part 2 (2007)Is Performance Studies Imperi…The social dynamics of arts festivals: A comparative analysis of the KKNK and the Grahamstown National Arts Festival (2006)The social dynamics of arts f…Knowing and the Known. (1950)The Act of Reading: A Theory of Aesthetic Response (1979)The Act of Reading (1980)A Model of Strategy Mix Choice for Planned Social Change (1982)The Theatrical Event: Dynamics of Performance and Perception (2000)AUDIENCE DEVELOPMENT AND SOCIAL INCLUSION IN BRITAIN (2006)Brugerinddragelse og kulturpolitisk kvalitet (2015)The cultural politics of civic pride through Hull UK City of Culture 2017 (2023)Theatre Audiences: A Theory of Production and Reception (1990)Artificial hells: participatory art and the politics of spectatorship (2013)Fair Play — Art, Performance and Neoliberalism (2013)Performance, Experience, Transformation: What do Spectators Value in Theatre? (2016)Challenges of cultural industry knowledge exchange in live performance audience research (2019)Building new publics: using agile, community-engaged, and applied theatre methodologies as social intervention in audience research (2021)For Love of Country: Debating the Limits of Patriotism (1997)Performance Studies: An Introduction (2003)The Archive and the Repertoire: Performing Cultural Memory in the Americas (2003)Antigone's Bones (2008)The Theorist and the Theorized: Indigenous Critiques of Performance Studies (2018)A manifesto to decentre theatre and performance studies (2021)The SAGE handbook of qualitative research (2005)The Location of Culture (2012)Culture and Imperialism (2017)Social Research Methods: Qualitative and Quantitative Approaches (1991)Social Research Methods: Qualitative and Quantitative Approaches (2002)Communication Research: Techniques, Methods and Applications (2004)Flow: the psychology of optimal experience (1990)Principles and Practice of Structural Equation Modeling (1998)Research methods in psychology (2013)An Empirical Investigation of the Arts Audience Experience Index (2016)Developing and Validating a Theater Experience Scale (2016)Exploring theater experiences among Hong Kong audiences (2019)The reflective practitioner: How professionals think in action (1984)The Reflective Practitioner: How Professionals Think in Action (1985)Educating the Reflective Practitioner: Toward a New Design for Teaching and Learning in the Professions (1987)Applied theater: Using improvisation in social services as an illustrating example (2020)The expression of the emotions in man and animals. (1872)The magical number seven, plus or minus two: Some limits on our capacity for processing information. (1956)Understanding Media: The Extensions of Man (1964)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2014What UK Spectators Know: Understanding How We Come to Value Theatre38 cited
  • 2007Is Performance Studies Imperialist? Part 229 cited
  • 2010Exploring the theatrical experience: Results from an empirical investigation.23 cited
  • 2011Improvisational Teaching as Mode of Knowing21 cited
  • 2014Behaviour and attitude: the Theatre Talks method as audience development14 cited
  • 2021Performing Early Christian Literature12 cited
  • 2010Theatre Performance in Museums: Art and Pedagogy9 cited
  • 2011Negotiating cultural identity through the arts: Fitting in, third space and cultural memory8 cited
  • 2006The social dynamics of arts festivals: A comparative analysis of the KKNK and the Grahamstown National Arts Festival7 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work