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The Mountain and the Mole-hill: Julia Margaret Cameron’s Allegories
11 references·0 citing·27 second hop
The Mountain and the Mole-hill: Julia Margaret Cameron’s Allegories (2007)The Mountain and the Mole-hill: Julia Mar…The making of English photography: allegories (2007)The making of English photogr…Julia Margaret Cameron: the complete photographs (2003)Julia Margaret Cameron: the c…Camera Lucida: Reflections on Photography (2001)Camera Lucida: Reflections on…Julia Margaret Cameron's women (1999)Julia Margaret Cameron's womenAllegory: Between Deconstruction and Dialectics (1999)Allegory: Between Deconstruct…Illuminations : women writing on photography from the 1850s to the present (1996)Illuminations : women writing…Cupid's Pencil of Light: Julia Margaret Cameron and the Maternalization of Photography (1996)Cupid's Pencil of Light: Juli…Ruskin and Photography (1984)Ruskin and PhotographyBlindness and Insight: Essays in the Rhetoric of Contemporary Criticism (1984)Blindness and Insight: Essays…The Origin of German Tragic Drama (1978)The Origin of German Tragic D…Pictorial effect in photography, being hints on composition and chiaroscuro for photographers (1971)Pictorial effect in photograp…Surviving Images: Holocaust Photographs and the Work of Postmemory (2001)Handbook of the Arts in Qualitative Research: Perspectives, Methodologies, Examples, and Issues (2008)The new neoliberal subjects? Young/er academics’ constructions of professional identity (2008)Nostalgia-A Polemic (1988)Stage Fright, Animals, and Other Theatrical Problems (2006)Anywhere or not at all: philosophy of contemporary art (2014)‘Mountain Nymph’ and ‘Damnèd Villain’ (2003)The Correspondence of Charles Darwin 1878 (2018)Still Shakespeare and the Photography of Performance (2019)"A Poet Never Sees a Ghost": Photography and Trance in Tennyson's Enoch Arden and Julia Margaret Cameron's Photography (2003)Re‐storying and visualizing the changing entrepreneurial identities of Bill Gates and Richard Branson (2010)Caught in the Act: Photography on the Victorian Stage (2016)The New Hegelians: Politics and Philosophy in the Hegelian School (2006)A Historical Approach to Family Photography: Class and Individuality in Manchester and Lille, 1850-1914 (2010)Surround, Background, and the Overlooked (2015)Crafting and collecting cyanotypes: Anna Atkins's Photographs of British Algae: Cyanotype Impressions (2023)Text and Textuality (1989)Aesthetics and subjectivity from Kant to Nietzsche (1991)The Contradictory Structure of Systems Development Methodologies: Deconstructing the IS-User Relationship in Information Engineering (1994)The Template of Photography in Nineteenth-century Architectural Representation (2012)The buried life of things: how objects made history in nineteenth-century Britain (2015)Ekphrasis and the writing process (2017)The Gray Zone: A Restorationist's Travel Guide (2010)Early photographic federations and the pursuit of collaborative education (2022)Through a Glass, Darkly: Photography and Cultural Memory (2008)The Historical Antecedents of Contemporary Photography Education: A British Case Study, 1966–79 (2009)‘The Arithmetic of Compassion’: Rethinking the Politics of Photography (2011)
this work references cited by second hop

References

  • 2001Camera Lucida: Reflections on Photography5,456 cited
  • 1984Blindness and Insight: Essays in the Rhetoric of Contemporary Criticism1,258 cited
  • 1978The Origin of German Tragic Drama1,102 cited
  • 2003Julia Margaret Cameron: the complete photographs55 cited
  • 1996Illuminations : women writing on photography from the 1850s to the present46 cited
  • 2007The making of English photography: allegories43 cited
  • 1999Allegory: Between Deconstruction and Dialectics23 cited
  • 1984Ruskin and Photography19 cited
  • 1996Cupid's Pencil of Light: Julia Margaret Cameron and the Maternalization of Photography16 cited
  • 1971Pictorial effect in photography, being hints on composition and chiaroscuro for photographers16 cited
  • 1999Julia Margaret Cameron's women15 cited

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