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Cited by

• 1985The Travesty Dancer in Nineteenth-Century Ballet71 cited
• 1986Ballet as ideology:Giselle,Act II47 cited
• 1987Patterns of Dominance: Men, Women, and Homosexuality in Dance15 cited
• 2006Yearning for the Spiritual Ideal: The Influence of India on Western Dance 1626–200311 cited
• 1990Black Faces, Garlands, and Coconuts: Exotic Dances on Street and Stage10 cited
• 1994Phantoms of Genius: Women and the Fantastic in the Opera-House Mystery8 cited
• 1994I.Le Diable Boiteux:French society behind a Spanish facade8 cited
• 2000Sauvages, sex roles, and semiotics: Representations of Native Americans in the French ballet, 1736–1837, part one: The eighteenth century8 cited
• 1978The Bandit Ballerina: Some Sources of Jules Perrot's Catarina4 cited
• 1980The role of the ballet composer at the Paris opera: 1820–18503 cited
• 1978The shadow of herself: Some sources of Jules Perrot'sOndine3 cited
• 1977Ballet in early nineteenth‐century London as seen by Leigh Hunt and Henry Robertson3 cited