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Cited by

• 1994‘Empathic understanding’: emotion and cognition in classical dramatic audience-response82 cited
• 1988Malinowski, Rivers, Benedict and Others: Essays on Culture and Personality52 cited
• 20011931 Antonin Artaud Sees Balinese Theatre at the Paris Colonial ExpositionI35 cited
• 2014The art of tourism-driven development: economic and artistic well-being of artists in three Balinese communities35 cited
• 2010Transnational, Translocal, Transcultural: Some Remarks on the Relations between Hindu-Balinese and Ethnic Chinese in Bali34 cited
• 2012Revitalizing Arja in Globalized Bali30 cited
• 1989A New World: Asian Theatre in the West Today24 cited
• 2007Rethinking Balinese Dance19 cited
• 1995“Traditional Music Weeps” and Other Themes in the Discourse on Music, Dance and Theatre of Indonesia, Malaysia and Thailand17 cited
• 2006Balinese Legong: Revival or Decline?17 cited
• 2002Returning to original form; A central dynamic in Balinese ritual14 cited
• 2009Radical Tradition: Balinese Musik Kontemporer10 cited
• 2002Kawi dalang : creativity in wayang theatre10 cited
• 1985Artaud and the Balinese Theatre9 cited