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Cited by

• 2015Physics of Blackness: Beyond the Middle Passage Epistemology135 cited
• 2019Three Eras of Indonesian Arts Diplomacy23 cited
• 2010Passing Into Diplomacy: U.S. Consul James Weldon Johnson and The Autobiography of an Ex-Colored Man20 cited
• 2008Ghostreaders and Diaspora-Writers: Four Theses on the FBI and African American Modernism19 cited
• 2014Cold War Carmen in US Racial Modernity12 cited
• 2012Race and Politics in Concert: Paul Robeson and William Warfield in Panama, 1947–195310 cited
• 2017From GI Sweethearts to Lock and Lollers: The Kim Sisters' Performances in the Early Cold War United States, 1959–6710 cited
• 2016On the Outer Rim of Jazz: Mexican American Jazzmen and the Making of the Modern Pacific Borderlands, 1950–19698 cited
• 2011Visions of freedom: Duke Ellington in the Soviet Union5 cited
• 2017Performing Catfish Row in the Soviet Union: The Everyman Opera Company andPorgy and Bess, 1955–565 cited
• 2014FIRING THE CANON: MULTIPLE INSULARITIES IN JAZZ CRITICISM4 cited
• 2013Musical antinomies of race and empire3 cited
• 2014The US Department of State’s “Hip Hop Diplomacy” in Morocco3 cited
• 2014Jazz and Radio in the United States: Mediation, Genre, and Patronage