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Representing Enslavement and Abolition in Museums
0 references·16 citing·48 second hopsampled
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  • 2013Framing theory: towards a critical imagination in heritage studies205 cited
  • 2017Historical empathy in a museum: uniting contextualisation and emotional engagement160 cited
  • 2018Doing reparatory history: bringing ‘race’ and slavery home127 cited
  • 2015The Elephant in the Room117 cited
  • 2014A More‐Than‐Representational Understanding of Heritage? The ‘Past’ and the Politics of Affect104 cited
  • 2016Politics of tangibility, intangibility, and place in the making of a European cultural heritage in EU heritage policy95 cited
  • 2015Theorizing Museum and Heritage Visiting74 cited
  • 2017Politics of affect in the EU heritage policy discourse: an analysis of promotional videos of sites awarded with the European Heritage Label56 cited
  • 2013Reflective debate, radical transparency and trust in the museum34 cited
  • 2013‘Engage the World’: examining conflicts of engagement in public museums26 cited
  • 2015Heritage and History24 cited
  • 2016The colonial archival imaginaire at home21 cited
  • 2014Experiencing differences and negotiating prejudices at the Immigration Museum Melbourne19 cited
  • 2017Moved by the tears of others: emotion networking in the heritage sphere

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17 cited
  • 2015The Ontological Politics of Heritage; or How Research Can Spoil a Good Story17 cited
  • 2020Bringing Slavery into the Light in Postcolonial Portugal16 cited