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GILDINGS AND FALSE GILDINGS OF THE BAROQUE AGE: CHARACTERIZATION AND CONSERVATION PROBLEMS

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References

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2008Pigments and binders in “Madonna col Bambino e S. Giovannino” by Botticelli investigated by micro-Raman and GC/MS35 cited
2008Degradation of gold and false golds used as gildings in the cultural heritage of Andalusia, Spain35 cited
2004Investigation of the gilding technique in two post-Byzantine wall paintings using micro-analytical techniques33 cited
2010Colored grounds of gilt stucco surfaces as analyzed by a combined microscopic, spectroscopic and elemental analytical approach28 cited
1998Gilded Stuccoes of the Italian Baroque26 cited

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Cited by

2014Gold in the Alhambra: study of materials, technologies, and decay processes on decorative gilded plasterwork23 cited
2022Natural corrosion-induced gold nanoparticles yield purple color of Alhambra palaces decoration19 cited
2022An analytical characterization of different gilding techniques on artworks from the Royal Palace (Caserta, Italy)19 cited
2017Gildings from Andalusia: Materials used in different types of artworks along centuries19 cited
2017Electrochemical analysis of gildings in Valencia altarpieces: a cross-age study since fifteenth until twentieth century15 cited
2023Revealing the Materials, Painting Techniques, and State of Preservation of a Heavily Altered Early 19th Century Greek Icon through MA-XRF14 cited
2021A multi-analytical exploration of the chemical composition, microstructural properties and corrosion inhibiting treatment for an archaeological brass censer from Umm Zuwaytinah, Amman12 cited