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The Daily Practice of Painting Writings and Interviews 1962-1993
0 references·7 citing·33 second hop
The Daily Practice of Painting Writings and Interviews 1962-1993 (1995)The Daily Practice of Painting Writings a…Generation 2.5 (2009)Generation 2.5The Wake of Terror: Don Delillo’s “In The Ruins of The Future,” “Baader-Meinhof,” and Falling Man (2008)The Wake of Terror: Don Delil…Who Are the Greatest Living Artists? The View from the Auction Market (2005)Who Are the Greatest Living A…Unfolding Aesthetic In/Sights between Curriculum and Pedagogy (2004)Unfolding Aesthetic In/Sights…On the Epistemic Value of Photographs (2004)On the Epistemic Value of Pho…Interactive and informative art (2003)Interactive and informative a…Contradictory Modernities: Conceptions of Nature in the Art of Joseph Beuys and Gerhard Richter (1997)Contradictory Modernities: Co…Other Criteria: Confrontations with Twentieth-Century Art (1973)Off the wall: Robert Rauschenberg and the art world of our time (1980)How New York Stole the Idea of Modern Art (1985)The Greatest Artists of the Twentieth Century (2005)Timelines of creativity: A study of intellectual innovators in information science (2007)The winner-take-all contemporary art market (2016)The New Art--the New Life: The Collected Writings Of Piet Mondrian (1986)Six Memos for the Next Millennium. (1989)The fabric of reality (2020)The arts and the creation of mind (2003)Journal of Curriculum Theorizing (2010)Releasing the Imagination (2011)What is cinema (1967)Categories of Art (1970)Knowledge and the Flow of Information. (1983)Achievement and Satisfaction in Blended Learning versus Traditional General Health Course Designs (2009)The Red and the Real (2009)What is episodic memory if it is a natural kind? (2014)What Is It Like to Be a Bat? (1974)The Production of Space (1992)Creating the semi‐living: on politics, aesthetics and the more‐than‐human (2009)R. A. W. ASSMILK SOAP (2014)Speculative Fabulations for Technoculture’s Generations (2014)Modernity and Self-Identity: Self and Society in the Late Modern Age (2020)The sublime object of ideology (1990)The Work of Art in the Age of Mechanical Reproduction (2007)Don Delillo’s Falling Man and the Age of Terror (2011)Gatsby’s Ghost: Post-Traumatic Memory and National Literary Tradition in Joseph O’Neill’s Netherland (2013)Understanding Don DeLillo (2015)The Four Fundamental Concepts of Psycho-Analysis (2018)Minima Moralia: Reflections from Damaged Life (1951)Eichmann in Jerusalem. A Report on the Banality of Evil (1965)Camera Lucida: Reflections on Photography (2001)
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  • 2004On the Epistemic Value of Photographs133 cited
  • 2008The Wake of Terror: Don Delillo’s “In The Ruins of The Future,” “Baader-Meinhof,” and Falling Man57 cited
  • 1997Contradictory Modernities: Conceptions of Nature in the Art of Joseph Beuys and Gerhard Richter44 cited
  • 2005Who Are the Greatest Living Artists? The View from the Auction Market33 cited
  • 2003Interactive and informative art9 cited
  • 2004Unfolding Aesthetic In/Sights between Curriculum and Pedagogy8 cited
  • 2009Generation 2.50 cited

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