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Cited by

• 2017Constructing Corporate Identity before the Corporation: Fashioning the Face of the First English Joint Stock Banking Companies through Portraiture28 cited
• 2008The Periodical and the Art Market: Investigating the “Dealer-Critic System” in Victorian England15 cited
• 2015Arthur Hacker’s Syrinx (1892): Paint, classics and the culture of rape13 cited
• 2015Awakening ‘Sleeping Beauty’: The Creation of National Ballet in Britain6 cited
• 2019Nature and Modernity in Édouard Manet’s Le Déjeuner sur l’Herbe and William Holman Hunt’s The Awakening Conscience: a Comparative and Critical Reading2 cited
• 2014Jean-Léon Gérôme and Polychrome Sculpture: Reconstructing the Artist’s Hierarchy of the Arts2 cited
• 2005Russia under the 'spell of anglomania' at the turn of the twentieth century2 cited
• 2015James McNeill Whistler: An Artist on Artists1 cited
• 2012Translocal Artistry: James McNeill Whistler’s Wapping1 cited