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Resumo: Este artigo considera a musica popular como construtora de experiencias afetivas e reflexivas, capaz de produzir significados singulares e coletivos. Neste sentido, ela se faz uma linguagem especialmente politica, se constituindo em mediacao na construcao de um possivel paradigma etico-estetico, onde se alia trabalho e compromisso com divertimento e prazer, na construcao do sujeito coletivo. Palavras-chave Musica popular; afetividade; estetica; identidade coletiva, grupo sociais Abstract This article considers the popular music as a constructor of affective and reflective experiences, capable of producing individual and collective meanings. In this sense it functions as an especially political language, consisting of mediation in the construction of a possible ethical-aesthetic paradigm, where work and commitment unite with entertainment and pleasure, in the collective subject’s construction. Key words Popular music; affectivity; aesthetics; collective identity, social groups
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