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Haunted Images: Film, Ethics, Testimony and the Holocaust Haunted Images: Film, Ethics, Testimony and the Holocaust. By L ibby S axton . London and New York: Wallflower Press, 2008. 162 pp. Hb £45.00. Pb £16.99.
0 references·8 citing·9 second hop
Haunted Images: Film, Ethics, Testimony and the Holocaust Haunted Images: Film, Ethics, Testimony and the Holocaust. By L ibby S axton . London and New York: Wallflower Press, 2008. 162 pp. Hb £45.00. Pb £16.99. (2009)Haunted Images: Film, Ethics, Testimony a…Judging "privileged" Jews: Holocaust ethics, representation, and the "Grey zone" (2014)Judging "privileged" Jews: Ho…The rise of metafiction in the late Middle Ages (2011)The rise of metafiction in th…The eighteenth-century novel (2011)The eighteenth-century novelThe Cambridge History of French Literature (2011)The Cambridge History of Fren…Sixteenth-century theatre (2011)Sixteenth-century theatreSeventeenth-century poetry (2011)Seventeenth-century poetryProse romance (2011)Prose romanceHumour and the obscene (2011)Humour and the obsceneFrame Analysis: An Essay on the Organization of Experience. (1975)The Dialogic Imagination: Four Essays (1981)Imagined Communities: Reflections on the Origin and Spread of Nationalism (1984)Frame Analysis: An Essay on the Organization of Experience (1975)Eichmann in Jerusalem. A Report on the Banality of Evil (1965)Man's search for meaning; an introduction to logotherapy (1971)Testimony: crises of witnessing in literature, psychoanalysis, and history (1992)“Think Wot a Mother Must Feel”: Parenting in English Pauper Letters C. 1760–1834 (2010)The Cambridge Companion to Literature and the Anthropocene (2021)
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Cited by

  • 2011The eighteenth-century novel33 cited
  • 2014Judging "privileged" Jews: Holocaust ethics, representation, and the "Grey zone"24 cited
  • 2011The Cambridge History of French Literature15 cited
  • 2011Seventeenth-century poetry5 cited
  • 2011Sixteenth-century theatre3 cited
  • 2011The rise of metafiction in the late Middle Ages2 cited
  • 2011Prose romance2 cited
  • 2011Humour and the obscene2 cited

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