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English heritage, English cinema: costume drama since 1980
0 references·16 citing·36 second hop
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Cited by

  • 2020Theorizing Adaptation137 cited
  • 2013Nostalgia is not what it used to be: heritage films, nostalgia websites and contemporary consumers107 cited
  • 2014Introduction: Media and Nostalgia77 cited
  • 2012Shakespeare and World Cinema38 cited
  • 2013Adapting heritage: Class and conservatism inDownton Abbey29 cited
  • 2017Origins, Fidelity, and the Auteur: The Bengali Films of Tapan Sinha22 cited
  • 2014India through re-Orientalist Lenses19 cited
  • 2020Romantic Capabilities15 cited
  • 2019Proposing a Post-heritage Critical Framework: The Crown , Ambiguity, and Media Self-consciousness14 cited
  • 2017Haveli: A Cinematic Topos11 cited
  • 2010A Need for Redress10 cited
  • 2007Moving Pictures, Still Lives: Staging National Tableaux and Text in Prospero's Books9 cited
  • 2013Brit-lit biopics, 1990–20108 cited
  • 2007Transnational Orientalism: Ferzan zpetek's Turkish dream in Hamam (1997)8 cited
  • 2005Restoration nation: motion picture archives and "American" film heritage7 cited

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2010
Rousing the Reggia: the use of cinematic language and video projection in Peter Greenaway’sPeopling the Palacesas a way of returning life to a seventeenth‐century Italian Royal Palace
4 cited