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Joseph Millerd Orpen's 'A Glimpse into the Mythology of the Maluti Bushmen': a contextual introduction and republished text
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  • 2018Three nineteenth-century Southern African San myths: a study in meaning34 cited
  • 2014Shades of the Rainbow Serpent? A KhoeSan Animal between Myth and Landscape in Southern Africa—Ethnographic Contextualisations of Rock Art Representations22 cited
  • 2016The Jackal and the Lion: Aspects of Khoisan Folklore20 cited
  • 2021Art and Influence, Presence and Navigation in Southern African Forager Landscapes15 cited
  • 2019High and mighty: a San expression of excess potency control in the high-altitude hunting grounds of southern Africa14 cited
  • 2023Becoming elands’ people: Neoglacial subsistence and spiritual transformations in the Maloti-Drakensberg Mountains, southern Africa13 cited
  • 2021The devil’s in the detail: revisiting the ceiling panel at RSA CHI1, Kamberg, KwaZulu-Natal, South Africa12 cited
  • 2016Sounds and sound thinking in |xam-ka !au: “These are those to which I am listening with all my ears”9 cited
  • 2018Frogs or people: Dorothea Bleek and a genealogy of ideas in rock art research8 cited
  • 2019Bushmen: Kalahari Hunter-Gatherers and their Descendants7 cited
  • 2019Image-Makers: The Social Context of a Hunter-Gatherer Ritual7 cited
  • 2020The Doring River bullroarers rock painting: Continuities in sound and rainmaking6 cited
  • 2025Identity Through Iteration: Secondary Imagemaking Practices as Expressions of Cultural Continuity, Change and Interpretation in the Rock Art of Southern Africa

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4 cited
  • 2021‘They are all dead that I could ask’: Indigenous Innovation and the Micropolitics of the Field in Twentieth-century Southern Africa4 cited
  • 2016‘A glimpse into Bushman mythology’: interpretation, power and knowledge3 cited
  • 2017Qing and the Animals of the Drakensberg-Maloti3 cited