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Caractérisation in situ du pigment noir de quelques oeuvres pariétales de la Grotte de Rouffignac à l'aide d'un système portable d'analyse par fluorescence X (XRF)
5 references·6 citing·43 second hop
Caractérisation in situ du pigment noir de quelques oeuvres pariétales de la Grotte de Rouffignac à l'aide d'un système portable d'analyse par fluorescence X (XRF) (2005)Caractérisation in situ du pigment noir d…Non-destructive characterization of Della Robbia sculptures at the Bargello museum in Florence by the combined use of PIXE and XRF portable systems (2004)Non-destructive characterizat…Les blasons de Lascaux (2004)Les blasons de LascauxA new instrument adapted to in situ Raman analysis of objects of art (2004)A new instrument adapted to i…The Improved Lns Pixe‐Alpha Portable System: Archaeometric Applications* (2003)The Improved Lns Pixe‐Alpha P…Manganese Black Pigments in Prehistoric Paintings: the Case of the Black Frieze of Pech Merle (France) (2001)Manganese Black Pigments in P…Dark Unfathom'd Caves: The Earliest Cultural Use of Color (2022)Dark Unfathom'd Caves: The Ea…Critical evaluation of in situ analyses for the characterisation of red pigments in rock paintings: A case study from El Castillo, Spain (2022)Critical evaluation of in sit…Relative chronology of Palaeolithic drawings of the Great Ceiling, Rouffignac cave, by chemical, stylistic and superimposition studies (2019)Relative chronology of Palaeo…A Unique Collection of Palaeolithic Painted Portable Art: Characterization of Red and Yellow Pigments from the Parpalló Cave (Spain) (2016)A Unique Collection of Palaeo…Non-Destructive Portable Analytical Techniques for CarbonIn SituScreening Before Sampling for Dating Prehistoric Rock Paintings (2013)Non-Destructive Portable Anal…Non-Destructive Portable Analytical Techniques for Carbon In-Situ Screening Before Sampling for Dating Prehistoric Rock Paintings (2013)Non-Destructive Portable Anal…La peinture préhistorique : Lascaux, ou la naissance de l'art (1980)Analysis of rock art painting and technology of Palaeolithic painters (2003)Lascaux : le geste, l'espace et le temps (2004)Heating effect on manganese oxihydroxides used as black Palaeolithic pigment (2008)Les colorants de l’art paléolithique dans les grottes et en plein air (2009)Genes Influence Young Children’s Human Figure Drawings and Their Association With Intelligence a Decade Later (2014)Recent applications to the study of ancient inks with the Florence external-PIXE facility (1996)Complementary use of PIXE-alpha and XRF portable systems for the non-destructive and in situ characterization of gemstones in museums (2005)Non-destructive determination of the silver content in Roman coins (nummi), dated to 308–311 A.D., by the combined use of PIXE-alpha, XRF and DPAA techniques (2010)Identification of forgeries in historical enamels by combining the non-destructive scanning XRF imaging and alpha-PIXE portable techniques (2015)Raman microscopy: application to the identification of pigments on medieval manuscripts (1995)Analysis with micro-Raman spectroscopy of natural organic binding media and varnishes used in art (2000)Modern analytical methods in art and archaeology (2000)Complementary use of the Raman and XRF techniques for non-destructive analysis of historical paint layers (2008)Studying pigments on painted plaster in Minoan, Roman and Early Byzantine Crete. 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this work references cited by second hop

References

  • 2004A new instrument adapted to in situ Raman analysis of objects of art95 cited
  • 2004Non-destructive characterization of Della Robbia sculptures at the Bargello museum in Florence by the combined use of PIXE and XRF portable systems63 cited
  • 2001Manganese Black Pigments in Prehistoric Paintings: the Case of the Black Frieze of Pech Merle (France)51 cited
  • 2004Les blasons de Lascaux36 cited
  • 2003The Improved Lns Pixe‐Alpha Portable System: Archaeometric Applications*35 cited

Cited by

  • 2016A Unique Collection of Palaeolithic Painted Portable Art: Characterization of Red and Yellow Pigments from the Parpalló Cave (Spain)25 cited
  • 2013Non-Destructive Portable Analytical Techniques for CarbonIn SituScreening Before Sampling for Dating Prehistoric Rock Paintings20 cited
  • 2013Non-Destructive Portable Analytical Techniques for Carbon In-Situ Screening Before Sampling for Dating Prehistoric Rock Paintings19 cited
  • 2019Relative chronology of Palaeolithic drawings of the Great Ceiling, Rouffignac cave, by chemical, stylistic and superimposition studies19 cited
  • 2022Critical evaluation of in situ analyses for the characterisation of red pigments in rock paintings: A case study from El Castillo, Spain17 cited
  • 2022Dark Unfathom'd Caves: The Earliest Cultural Use of Color0 cited

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