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SIKH SACRED MUSIC, EMPIRE AND WORLD MUSIC
15 references·0 citing·23 second hop
SIKH SACRED MUSIC, EMPIRE AND WORLD MUSIC (2011)SIKH SACRED MUSIC, EMPIRE AND WORLD MUSICWorld Music: A Very Short Introduction (2020)World Music: A Very Short Int…The social space of language : vernacular culture in British colonial Punjab (2010)The social space of language …Religion and the Specter of the West (2009)Religion and the Specter of t…Ethnomusicology and Empiricism in the Twenty-First Century (2009)Ethnomusicology and Empiricis…SIKH MUSIC AND EMPIRE: THE MORAL REPRESENTATION OF SELF IN MUSIC (2008)SIKH MUSIC AND EMPIRE: THE MO…Singing the classical, voicing the modern: the postcolonial politics of music in South India (2007)Singing the classical, voicin…Sacred sound: experiencing music in world religions (2007)Sacred sound: experiencing mu…Singing the Classical, Voicing the Modern (2006)Singing the Classical, Voicin…Two Men and Music (2005)Two Men and MusicWorld Music (2002)World MusicThe Guru Granth Sahib: Canon, Meaning and Authority (2002)The Guru Granth Sahib: Canon,…The Making of Sikh Scripture (2001)The Making of Sikh ScriptureThe Word as Guru: Sikh Scripture and the Translation Controversy (1992)The Word as Guru: Sikh Script…Indian classical music and Sikh Kirtan (1983)Indian classical music and Si…The Sikh religion, its gurus, sacred writings, and authors (1963)The Sikh religion, its gurus,…Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)The Nation and Its Fragments (1994)Publics and counterpublics (2003)Beyond powerlessness (2011)AFRICA IN INDIAN INK: URDU ARTICULATIONS OF INDIAN SETTLEMENT IN EAST AFRICA (2012)Biography and Homoeopathy in Bengal: Colonial lives of a European heterodoxy (2015)Psychology for Musicians (2007)Music and globalization: critical encounters (2012)Music-Dance (2017)Displacement, Diaspora, and Difference in the Making of Bhangra (2006)Listening to female voices in Sikhkirtan (2016)KĪRTAN CHAUṆKĪ: AFFECT, EMBODIMENT AND MEMORY (2011)Between History and Historiography: The Origins of Classical Kuchipudi Dance (2013)In the Absence of Reliable Ghosts: Sexuality, Historiography, South Asia (2014)Tabla Tuning on the Workshop Stage: Toward a Materialist Musical Ethnography (2014)Problematizing Religious Freedom (2011)Spirituality: The Emergence of a New Cultural Category and its Challenge to the Religious and the Secular (2014)GURBĀNĪ SANGĪT: Authenticity And Influences (2015)The Audacity of Affect: Gender, Race, and History in Linguistic Accounts of Legitimacy and Belonging (2009)Soundscapes: Toward a Sounded Anthropology (2010)Anthropology and Voice (2014)Ethnomusicology and Music Education: Crossroads for knowing music, education, and culture (2003)Repatriation, Revival and Transmission: The Politics of a Sámi Musical Heritage (2012)
this work references cited by second hop

References

  • 2007Singing the classical, voicing the modern: the postcolonial politics of music in South India223 cited
  • 2005Two Men and Music208 cited
  • 2020World Music: A Very Short Introduction199 cited
  • 2006Singing the Classical, Voicing the Modern197 cited
  • 2002World Music182 cited
  • 2009Religion and the Specter of the West177 cited
  • 2010The social space of language : vernacular culture in British colonial Punjab94 cited
  • 1963The Sikh religion, its gurus, sacred writings, and authors60 cited
  • 2001The Making of Sikh Scripture54 cited
  • 2002The Guru Granth Sahib: Canon, Meaning and Authority53 cited
  • 2007Sacred sound: experiencing music in world religions42 cited
  • 1992The Word as Guru: Sikh Scripture and the Translation Controversy26 cited
  • 1983Indian classical music and Sikh Kirtan25 cited
  • 2009Ethnomusicology and Empiricism in the Twenty-First Century22 cited
  • 2008SIKH MUSIC AND EMPIRE: THE MORAL REPRESENTATION OF SELF IN MUSIC14 cited

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