In the realm of pleasure: Von Sternberg, Dietrich, and the masochistic aesthetic

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Cinema History and Criticism Visual Culture and Art Theory Ethics, Aesthetics, and Art

Abstract

This textual analysis of the six Paramount films directed by Josef von Sternberg which starred Marlene Dietrich, probes the source of their visual and psychological complexity. It illustrates how masochism extends into the area of artistic form, language and the production of pleasure.

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2006A web of fantasies: gaze, image, and gender in Ovid's Metamorphoses 2000Subversive strategies: Masochism, gender and power in Kōno Taeko’s “Toddler-Hunting”2003Psychoanalytic Film Theory 2007Aesthetics, Popular Visual Culture, and Designer Capitalism 2008Transfigurations : Violence, Death and Masculinity in American Cinema 2011Falling in love again and again: Marlene Dietrich and the iconization of non‐native English1 1995"Meeting Two Queens": Feminist Film-Making, Identity Politics, and the Melodramatic Fantasy 1992Katherina Bound; or, Play(K)ating the Strictures of Everyday Life

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