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The author discusses a composition by Chinese composer, George Gao, focussing on ways diasporic Chinese composers create music in foreign sites, such as Toronto. In the article, the author demonstrates that, drawing on multifarious sources and embedded influences, the work of such a musical artist is richly textured in creative and hegemonic ways.
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Stored only when both papers are in the corpus — 2 citations exist upstream.
Papers that cite the same references — the relational fallback while embeddings are still backfilling.
Imported from OpenAlex (CC0) — nothing here is generated.