L'intertextualité sonore et discursive dans le rap français

Abstract

This article aims to explore sonic and discursive intertextuality in hip hop, focusing on French old school. First, it will present the concept of intertextuality in music as theoretical frame. Second, it will describe sampling as the ethos of the sonic intertextuality in rap music. And third, it will analyse the mechanisms of discursive intertextuality. Indeed, in order to understand popular music and especially hip hop, we need to take into account the intertextual networks established amongst rap songs as long as their relations with the realm of popular music and other instances of contemporary culture.

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