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Coming Through Slaughter
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  • 1987Beginning to theorize postmodernism70 cited
  • 2006The Historical Turn in British Fiction54 cited
  • 2014Storytelling in jazz improvisation: Implications of a rich intermedial metaphor32 cited
  • 2006Biographer and Subject: A Tale of Two Narratives31 cited
  • 2015Introduction21 cited
  • 1994Four Choruses on the Tropes of Jazz Writing17 cited
  • 2010Poetic Justice and Legal Fictions15 cited
  • 2011The Recording Studio on Stage: Liveness in Ma Rainey’s Black Bottom12 cited
  • 2015Excelente Zona Social12 cited
  • 2017Interludes in Madtime11 cited
  • 2008Parading the Underworld of New Orleans in Ondaatje'sComing Through Slaughter5 cited
  • 2021Performing for Peace and Social Change in Africa’s Great Lakes Region 15 cited
  • 2011Writing and Music: Album Liner Notes4 cited
  • 2014FIRING THE CANON: MULTIPLE INSULARITIES IN JAZZ CRITICISM4 cited
  • 2004Introduction: Blue Notes toward a New Jazz Discourse3 cited
  • 2000Jazz bodies: In process, on trial and instrumental

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3 cited