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Theatre and Crisis 1632-1642
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Cited by

  • 2017The Shakespearean Forest36 cited
  • 2015Clowning and authorship in early modern theatre32 cited
  • 1989The Theatrical Mask/Masque of Politics: The Case of Charles I31 cited
  • 1997The Devil's House, "or worse": Transversal Power and Antitheatrical Discourse in Early Modern England30 cited
  • 2003Literature and the theatre to 166019 cited
  • 2018"Who would not sing for Lycidas?": Milton's Satirical Reform of the Justa Edouardo King18 cited
  • 1986The Spitted Infant: Scenic Emblem and Exclusionist Politics in Restoration Adaptations of Shakespeare17 cited
  • 2013Staging "a Queene opprest": William Habington's Exploration of the Politics of Queenship on the Caroline Stage15 cited
  • 1992“The High Roman Fashion”: Sacrifice, Suicide, and the Shakespearean Stage14 cited
  • 1999Dance and the Garden: Moving and Static Choreography in Renaissance Europe11 cited
  • 2004The condition of the theatres in 164211 cited
  • 2000Collaborating across Generations: Thomas Heywood, Richard Brome, and the Production of The Late Lancashire Witches10 cited
  • 2018Theatre and the English Public from Reformation to Revolution7 cited
  • 2014The Cambridge Introduction to Early Modern Drama, 1576–1642

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4 cited
  • 2014The Politics of Queenship in Francis Bacon’s The History of the Reign of King Henry VII and John Ford’s Perkin Warbeck4 cited
  • 2002Defending the King in Cartwright's The Lady-Errant (1636-37)4 cited