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Before Industrial Light and Magic: the independent Hollywood special effects business, 1968–75
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Before Industrial Light and Magic: the independent Hollywood special effects business, 1968–75 (2009)Before Industrial Light and Magic: the in…The Way Hollywood Tells It (2006)The Way Hollywood Tells ItThe New Film History as Media Archaeology (2005)The New Film History as Media…The Classical Hollywood Cinema (2003)The Classical Hollywood CinemaMatters of Gravity (2003)Matters of GravityThe Invisible Art: The Legends of Movie Matte Painting (2002)The Invisible Art: The Legend…Special effects: still in search of wonder (2002)Special effects: still in sea…Special Effects (2002)Special EffectsSpecial effects: the history and technique (2001)Special effects: the history …Industrial Light & Magic: Into the Digital Realm (1996)Industrial Light & Magic: Int…The Technique of Special Effects Cinematography (1965)The Technique of Special Effe…The Cinema of Attractions Early Film, Its Spectator and the Avant-Garde (1990)Babel and Babylon (1991)Window shopping: cinema and the postmodern (1993)There Are No Old Media (2016)Far from paradise: The body, the apparatus and the image of contemporary virtual reality (2017)Screen Space Reconfigured (2020)Neutralizing the piracy of motion pictures: reengineering the industry’s supply chain (2004)Der computeranimierte Spielfilm (2007)Reality & Effect: A Cultural History of Visual Effects (2022)Towards the feminine sublime, or the story of 'a twinkling monad, shape-shifting across dimension': intermediality, fantasy and special effects in cyberpunk film and animation (2002)Dziga Vertov's Soviet Toys : Commerce, Commercialization and Cartoons (2008)Schrift und Raum im Wandel (2017)Digital Light (2015)Kodachrome and the Rise of 16mm Professional Film Production in America, 1938–1950 (2016)Seeing through Spirits: Superimposition, Cognition, and The Phantom Carriage (2016)Hidden Surface Problems: On the Digital Image as Material Object (2015)Flickers of film: nostalgia in the time of digital cinema (2016)Artificial intelligence in fiction: between narratives and metaphors (2021)THE RESOURCE-BASED VIEW OF THE FIRM IN TWO ENVIRONMENTS: THE HOLLYWOOD FILM STUDIOS FROM 1936 TO 1965. (1996)Learning across the life cycle: Experimentation and performance among the hollywood studio heads (2001)Entrepreneurship, Innovation and Industrial Development: Geography and the Creative Field Revisited (2006)Is nostalgia becoming digital? Ecuadorian diaspora in the age of global capitalism (2009)Complex Masculinities: The Superhero in Modern American Movies (2012)Never Quite the Right Size: Scaling the Digital in CG Cinema (2014)Quicker, Faster, Darker: Changes in Hollywood Film over 75 Years (2011)Mega-Melodrama! Vertical and Horizontal Suspensions of the “Classical” (2012)Narrative theory and the dynamics of popular movies (2016)Deepfaking Keanu: YouTube deepfakes, platform visual effects, and the complexity of reception (2021)Magic Mirrors (2015)Studies in the Efficacy of Motion Graphics (2017)
this work references cited by second hop

References

  • 2003The Classical Hollywood Cinema728 cited
  • 2006The Way Hollywood Tells It431 cited
  • 2005The New Film History as Media Archaeology231 cited
  • 2002Special Effects103 cited
  • 2001Special effects: the history and technique88 cited
  • 2002Special effects: still in search of wonder82 cited
  • 2003Matters of Gravity81 cited
  • 1965The Technique of Special Effects Cinematography67 cited
  • 2002The Invisible Art: The Legends of Movie Matte Painting21 cited
  • 1996Industrial Light & Magic: Into the Digital Realm13 cited

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