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Cited by

• 2003Reading Aldred's Colophon for the Lindisfarne Gospels124 cited
• 2016The Bronze Object in the Middle Ages55 cited
• 2002The Blood of Christ in the Later Middle Ages46 cited
• 2000Cnut and Lotharingia: two notes39 cited
• 1965Symbolism in the Dura SynagogueA Review Article38 cited
• 2014Angels and the Order of Heaven in Medieval and Renaissance Italy25 cited
• 1994Learning from the history of preventive conservation17 cited
• 1980The destruction of paper by green copper pigments, demonstrated by a sample of Chinese wallpaper15 cited
• 2020The catenary and the line of thrust as a means for shaping arches and vaults14 cited
• 1982A supplement to Hand-List of Anglo-Saxon Non-Runic Inscriptions10 cited
• 2011A FEAST OF THE ARTS: JOANNA OF CASTILE IN BRUSSELS, 149610 cited
• 1992A second supplement to Hand-List of Anglo-Saxon Non-Runic Inscriptions9 cited
• 1977In Alia Effigie: Caravaggio's London Supper at Emmaus7 cited
• 1978Allegory, Fact, and Meaning in Giambattista Tiepolo's Four Continents in Würzburg6 cited
• 2014Tabatières, éventails et lorgnettes : objets de consommation et « techniques du social » au xviiie siècle