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Myth and Music. A Semiotic Approach to the Aesthetics of Myth in Music, Especially That of Wagner, Sibelius and Stravinsky
0 references·13 citing·47 second hop
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Cited by

  • 1983The Concept of Musical Grammar45 cited
  • 2016Understanding the leitmotif: from Wagner to Hollywood film music30 cited
  • 1991Semiotics as a Method for the Study of Popular Music27 cited
  • 1990Interpreting Musical Analogy: From Rhetorical Device to Perceptual Process23 cited
  • 2000Scriabin's Symbolist Plot Archetype in the Late Piano Sonatas19 cited
  • 2018Telling Tales: A Survey of Narratological Approaches to Music18 cited
  • 1990An Anthropology of Stereotypes in TV Music?16 cited
  • 1991Music and Language: Commonalities in Semiotics, Syllabus, and Classroom Teaching8 cited
  • 2010Skryabin's Revolving Harmonies, Lacanian Desire, and RiemannianFunktionstheorie7 cited
  • 2007Soundpainting as a system for the collaborative creation of music in performance7 cited
  • 2019Time Models in Myth and Music of the 20th Century5 cited
  • 2025Musical Meaning and Interpretation5 cited
  • 1986Music Models Through Ages: A Semiotic Interpretation4 cited

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