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Cited by

• 2008Bourdieu and organizational analysis928 cited
• 2012The Cambridge Companion to Opera Studies67 cited
• 2010Digital Diva: Opera on Video65 cited
• 2012Vocal performance in the seventeenth century56 cited
• 2012Who benefits from public funding of the performing arts? Comparing the art provision and the hegemony–distinction approaches56 cited
• 2012The Cambridge History of Musical Performance46 cited
• 2010Backstage at the Revolution: How the Royal Paris Opera Survived the End of the Old Regime35 cited
• 2010Constructing an artistic field as a political project: Lessons from La Scala31 cited
• 2015Olivier Halanzier and the Operatic Museum in Late Nineteenth-Century France24 cited
• 2011Situating opera: period, genre, reception21 cited
• 2012Opera in the Age of Rousseau: Music, Confrontation, Realism19 cited
• 2009Mechanism and Tradition in Puccini's Turandot18 cited
• 2017The Patronage Politics of Equestrian Ballet: Allegory, Allusion, and Satire in the Courts of Seventeenth-Century Italy and France18 cited
• 2012‘Too much music’: the media of opera16 cited
• 2012