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Rockonomics: the money behind the music
0 references·9 citing·47 second hop
Rockonomics: the money behind the music (1989)Rockonomics: the money behind the musicEntertainment Industry Economics (2020)Entertainment Industry Econom…Economic Perspectives (2020)Economic PerspectivesThe Firm Foundation of Organizational Flexibility: The 360 Contract in the Digitalizing Music Industry (2012)The Firm Foundation of Organi…The Political Economy of the Recorded Music Industry: Redefinitions and New Trajectories in the Digital Age (2011)The Political Economy of the …Competitiveness, Local Production Systems and Global Commodity Chains in the Music Industry: Entering the US Market (2007)Competitiveness, Local Produc…The Economics of Real Superstars: The Market for Rock Concerts in the Material World (2005)The Economics of Real Superst…How Relevant is Transaction Cost Economics to Inter-Firm Relationships in the Music Industry? (2003)How Relevant is Transaction C…VARIETY AND SUPERSTARDOM IN POPULAR MUSIC (1994)VARIETY AND SUPERSTARDOM IN P…The Popular Music Industry in Transition (1993)The Popular Music Industry in…Illuminations: Essays and Reflections (1968)Noise: The Political Economy of Music (1986)McQuail's mass communication theory (2000)The Sexual Contract (1988)The social structure of liquidity: Flexibility, markets, and states (1999)The music industry: music in the cloud (2013)Ethnomusicological Praxis (2021)Ethnomusicology and the Meeting of Knowledges in Music (2021)Music Endangerment, Repatriation, and Intercultural Collaboration in an Australian Discomfort Zone (2021)The Competitive Advantage of Nations (1990)The Competitive Advantage of Nations (1991)Clusters and knowledge: local buzz, global pipelines and the process of knowledge creation (2004)Editorial: Reaching Out to New Territories … (2009)How User‐centric Innovation is Affecting Stakeholder Marketing Strategies: Exploratory Findings from the Music Industry (2018)The power of local networking: Bologna’s music scene as a creative community, 1978–1992 (2021)The Theory of Industrial Organization (1988)Creative industries: contracts between art and commerce (2000)Income Inequality in the United States, 1913-1998 (2003)Are the Wall Street Analyst Rankings Popularity Contests? (2009)TALENT AND/OR POPULARITY: WHAT DOES IT TAKE TO BE A SUPERSTAR? (2010)Plutocrats: The Rise of the New Global Super-Rich and the Fall of Everyone Else (2012)Industrial Market Structure and Economic Performance. (1971)Capitalism, Socialism and Democracy (1997)Structure, Agency and the Role of Values in Processes of Institutional Change (2009)A Macro-Sociological Study into the Changes in the Popularity of Domestic, European, and American Pop Music in Western Countries (2013)Distinction: A Social Critique of the Judgement of Taste* (2018)Paradox of celestial jukebox: Resurgence of market control (2019)Economic Action and Social Structure: The Problem of Embeddedness (1985)Firm Resources and Sustained Competitive Advantage (1991)Firm resources and sustained competitive advantage (2004)A paradox of alliance management: resource contamination in the recorded music industry (2007)Adopting the rights-based model (2012)Multi-actor innovation in the music industry: a state of the art review (2018)Limited-dependent and qualitative variables in econometrics (1983)Superstardom in Popular Music: Empirical Evidence (1991)ARTISTIC LABOR MARKETS AND CAREERS (1999)Stardom and Talent (2016)A theory of human motivation. (1943)Conceptualizing, Measuring, and Managing Customer-Based Brand Equity (1993)Motivation and Personality (1997)Family Economic Well-Being (2012)Determinants of card payments (2015)Comprehensive evaluation of urban high-quality development: a case study of Liaoning Province (2022)A Theory of the Allocation of Time (1965)Integrating Functional Knowledge and Embedding Learning in New Product Launches (2008)The economics of movies (revisited): A survey of recent literature (2022)The show must go on? The entertainment industry during (and after) COVID-19 (2022)
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Cited by

  • 2005The Economics of Real Superstars: The Market for Rock Concerts in the Material World322 cited
  • 2012The Firm Foundation of Organizational Flexibility: The 360 Contract in the Digitalizing Music Industry95 cited
  • 2020Entertainment Industry Economics88 cited
  • 1994VARIETY AND SUPERSTARDOM IN POPULAR MUSIC82 cited
  • 2007Competitiveness, Local Production Systems and Global Commodity Chains in the Music Industry: Entering the US Market57 cited
  • 2003How Relevant is Transaction Cost Economics to Inter-Firm Relationships in the Music Industry?28 cited
  • 1993The Popular Music Industry in Transition24 cited
  • 2020Economic Perspectives22 cited
  • 2011The Political Economy of the Recorded Music Industry: Redefinitions and New Trajectories in the Digital Age8 cited

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