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Cited by

• 2021Netflix in Europe: Four Markets, Four Platforms? A Comparative Analysis of Audio-Visual Offerings and Investment Strategies in Four EU States49 cited
• 2016The soft power of popular cinema – the case of India35 cited
• 2018Being out of place: Non-belonging and queer racialization in the U.K.28 cited
• 2016‘English Vinglish’ and Bollywood: what is ‘new’ about the ‘new woman’?20 cited
• 2019From Sujata to Kachra: Decoding Dalit representation in popular Hindi cinema14 cited
• 2014It’s because we’re Indian, innit?’ Cricket and the South Asian diaspora in post-war Britain12 cited
• 2023“Just like everyone else:” queer representation in postmillennial Bollywood8 cited
• 2020One Does Not Simply Walk into Mordor6 cited
• 2017A national cinema’s transnational aspirations? Considerations on “Bollywood”6 cited
• 2017The picture is not yet over!: The end credits song sequence in Bollywood5 cited
• 2015The world of Rituparno Ghosh: texts, contexts and transgressions5 cited
• 2026Representations of female characters in Bollywood cinema: stereotypes, audience perceptions, and societal impacts4 cited
• 2011India’s Many Popular Cinemas4 cited
• 2014Dance on!: Inter-collegiate Indian dance competitions as a new cultural form