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Cited by

• 2005Transformations: Thinking Through Feminism330 cited
• 2001`You're only as Good as Your Last Job': The Labour Process and Labour Market in the British Film Industry309 cited
• 2018License to Assemble: Theorizing Brand Longevity74 cited
• 2007Film Architecture and the Transnational Imagination52 cited
• 2009“Going to the movies”: accounting and twentieth century cinema43 cited
• 2010The debate on ‘Americanization’ among economic and cultural historians38 cited
• 1999Derek Jarman: A Biography33 cited
• 2014Screening early modern drama: beyond Shakespeare26 cited
• 2005?Got to Dance my Way to Heaven?: Jessie Matthews, art deco and the British musical of the 1930s19 cited
• 2011Deleuze and film music: building a methodological bridge between film theory and music19 cited
• 2007Moving Pictures, Still Lives: Staging National Tableaux and Text in Prospero's Books9 cited
• 2018‘Who Is British Music?’ Placing Migrants in National Music History8 cited
• 2010Creating Authorship? Lindsay Anderson and David Sherwin's collaboration on If. (1968)7 cited
• 2006Autobiography and the Autobiographical in the Bill Douglas Trilogy7 cited