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Heritage Film Audiences 2.0: Period film audiences and online fan cultures
11 references·0 citing·27 second hop
Heritage Film Audiences 2.0: Period film audiences and online fan cultures (2011)Heritage Film Audiences 2.0: Period film …Heritage Film AudiencesPeriod Films and Contemporary Audiences in the UK (2011)Heritage Film AudiencesPeriod…The British heritage-film debate revisited (2002)The British heritage-film deb…Waving the flag: constructing a national cinema in Britain (1995)Waving the flag: constructing…British Cinema and Thatcherism (1995)British Cinema and ThatcherismTextual poachers : television fans & participatory culture (1992)Textual poachers : television…Melodrama and 'Maurice': Homo is Where the HET is (1988)Melodrama and 'Maurice': Homo…Film theory: an introduction (1988)Film theory: an introductionThe heritage industry: Britain in a climate of decline (1987)The heritage industry: Britai…On Living In An Old Country—The National Past in Contemporary Britain (1986)On Living In An Old Country—T…Starlust : the secret life of fans (1985)Starlust : the secret life of…Visual Pleasure and Narrative Cinema (1975)Visual Pleasure and Narrative…13 "DOES CULTURAL CAPITAL STRUCTURE AMERICAN CONSUMPTION?" (1998) (1998)Consumer Value: A Framework for Analysis and Research (1999)How Brand Community Practices Create Value (2009)Media and the Making of British Society, c .1700-2000 (2002)Culture in Camouflage (2009)The ‘creative treatment of actuality’: Rationalizing and reconceptualizing the notion of creativity for documentary practice (2010)Gentrification: Culture And Capital In The Urban Core (1987)The archeology of accounting systems (1987)Social Memory Studies: From “Collective Memory” to the Historical Sociology of Mnemonic Practices (1998)Objectification Theory: Toward Understanding Women's Lived Experiences and Mental Health Risks (1997)Post‐feminism and popular culture (2004)Understanding Popular Culture (2006)Dowagers, Debs, Nuns and Babies: The Politics of Nostalgia and the Older Woman in the British Sunday Night Television Serial (2013)Heritage and Post-Heritage: Investigating the Style, Form and Genre of Period Drama in 2010s British Television (2020)Embodying female dissent in Sanditon: The case of Esther Denham’s two bodies (2022)“Crisscross”: Paranoia and Projection in Strangers on a Train (1991)Lesbians and Film (1995)COMING AROUND AGAIN (2007)Romantic Capabilities (2020)Developing creativity in tourist experiences: A solution to the serial reproduction of culture? (2005)Cultural tourism: A review of recent research and trends (2018)Critical Discourse Analysis. Theory and Interdisciplinarity. (2003)Cross-Cultural Representation of ‘Otherness’ in Media Discourse (2003)Stranger than Fiction? A Few Methodological Notes on Linguistic Research in Film Discourse (2011)The Darcy effect: Regional tourism and costume drama (1998)Changing places (2006)Introduction (2013)
this work references cited by second hop

References

  • 1975Visual Pleasure and Narrative Cinema8,669 cited
  • 1992Textual poachers : television fans & participatory culture1,999 cited
  • 1987The heritage industry: Britain in a climate of decline1,103 cited
  • 1988Film theory: an introduction391 cited
  • 1986On Living In An Old Country—The National Past in Contemporary Britain366 cited
  • 1995Waving the flag: constructing a national cinema in Britain213 cited
  • 1988Melodrama and 'Maurice': Homo is Where the HET is53 cited
  • 2002The British heritage-film debate revisited50 cited
  • 1995British Cinema and Thatcherism39 cited
  • 2011Heritage Film AudiencesPeriod Films and Contemporary Audiences in the UK35 cited
  • 1985Starlust : the secret life of fans12 cited

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