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Rembrandt and His Critics 1630–1730
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Rembrandt and His Critics 1630–1730 (1953)Rembrandt and His Critics 1630–1730A hagyományos műértelmezés határai: Rembrandt és Chardin recepciója a 17. és 18. századi Franciaországban (2024)A hagyományos műértelmezés ha…On the Expression of Emotions in Rembrandt’s Art (2016)On the Expression of Emotions…Iluzja a realizm. Gra z widzem w sztuce holenderskiej 1580-1660 (2015)Iluzja a realizm. Gra z widze…The Universal Art of Samuel van Hoogstraten (1627-1678) (2013)The Universal Art of Samuel v…Italian Paintings in Amsterdam Around 1635: Additions to the Familiar (2013)Italian Paintings in Amsterda…Taste Communities: The Rise of the Amateur in Eighteenth-Century Paris (2012)Taste Communities: The Rise o…Rembrandt’s self-portraits: problems of authenticity and function (2005)Rembrandt’s self-portraits: p…The Business of Art in Eighteenth-Century Amsterdam: Painting as a Contribution to the Wealth of the Nation (1997)The Business of Art in Eighte…Rembrandt, un maître dans son atelier (1987)Rembrandt, un maître dans son…Paintings by Rembrandt (1986)Paintings by Rembrandt“Worthy of Milord's house”? (1985)“Worthy of Milord's house”?Rembrandt as Meditational Printmaker (1981)Rembrandt as Meditational Pri…Tavelförhänget (1956)TavelförhängetProbability and Evidence. (1973)Sources of the self: the making of the modern identity (1990)Towards a reconstruction of Rembrandt’s art theory (2011)Art and Illusion (2017)Rembrandt's An Old Man in Military Costume: Combining hyperspectral and MA-XRF imaging to understand how two paintings were painted on a single panel (2018)Experimentation and Innovation in Vermeer’s Girl with the Red Hat: New Findings from the National Gallery of Art (2022)Artistic and Intellectual Trends from Rubens to Daumier as Shown in Book Illustration (1945)Problems in Titian, Mostly Iconographic (1971)De Groote Schouburgh Der Nederlantsche Konstschilders En Schilderessen (1976)The structural transformation of the public sphere: an inquiry into a category of bourgeois society (1990)5. The Practice of Everyday Life (2000)Philosophe/philosopher (2014)Taste Engineering: An Extended Consumer Model of Cultural Competence Constitution (2016)Distinction: A Social Critique of the Judgement of Taste* (2018)The Purchase of the Past (2020)The Dutch republic in the eighteenth century: decline, enlightenment, and revolution (1993)Nederland 1500-1815. De eerste ronde van moderne economische groei. (1995)Art in History/History in Art: Studies in Seventeenth-Century Dutch Culture (1996)After Life in Roman Paganism (1927)The poetry of meditation (1954)Ikonographie der christlichen Kunst (1966)Pinacothecae: With Especial Reference to Pompeii (1938)Om realismen i holländsk bildtradition (1980)Pathosformeis, Decorum and the “Art of Gestures” in Caravaggio's death of the Virgin (1992)Dutch primacy in world trade, 1585-1740 (1990)Dutch Primacy in World Trade, 1585–1740 (1990)Van Dyck: a complete catalogue of the paintings (2004)On the sublime (1964)Dutch Literature in the Age of Rembrandt (1991)The Sublime in Modern Philosophy (2013)Art and Illusion: A Study in the Psychology of Pictorial Representation (1960)Mimesis as Make-Believe: On the Foundations of the Representational Arts (1991)The Dutch Republic (1995)Philosophical Investigations. (1954)The Gift: The Form and Reason for Exchange in Archaic Societies. (1992)Printed Commonplace-Books and the Structuring of Renaissance Thought (1996)
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Cited by

  • 2012Taste Communities: The Rise of the Amateur in Eighteenth-Century Paris29 cited
  • 2015Iluzja a realizm. Gra z widzem w sztuce holenderskiej 1580-166014 cited
  • 2005Rembrandt’s self-portraits: problems of authenticity and function11 cited
  • 1956Tavelförhänget5 cited
  • 1981Rembrandt as Meditational Printmaker3 cited
  • 2013The Universal Art of Samuel van Hoogstraten (1627-1678)2 cited
  • 2016On the Expression of Emotions in Rembrandt’s Art2 cited
  • 1997The Business of Art in Eighteenth-Century Amsterdam: Painting as a Contribution to the Wealth of the Nation2 cited
  • 1986Paintings by Rembrandt1 cited
  • 2013Italian Paintings in Amsterdam Around 1635: Additions to the Familiar1 cited
  • 2024A hagyományos műértelmezés határai: Rembrandt és Chardin recepciója a 17. és 18. századi Franciaországban1 cited
  • 1985“Worthy of Milord's house”?1 cited
  • 1987Rembrandt, un maître dans son atelier1 cited

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