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A Subtle Novelty: Repetition, transmission and the valorisation of innovation within North Indian Classical Music
16 references·1 citing·32 second hop
A Subtle Novelty: Repetition, transmission and the valorisation of innovation within North Indian Classical Music (2006)A Subtle Novelty: Repetition, transmissio…Improvised Music after 1950: Afrological and Eurological Perspectives (2002)Improvised Music after 1950: …The New Grove dictionary of music and musicians (2001)The New Grove dictionary of m…Signs of Imagination, Identity, and Experience: A Peircian Semiotic Theory for Music (1999)Signs of Imagination, Identit…The Rāgas of Early Indian Music: Modes, Melodies and Musical Notations from the Gupta Period to c. 1250 (1997)The Rāgas of Early Indian Mus…Improvised Music after 1950: Afrological and Eurological Perspectives (1996)Improvised Music after 1950: …Thinking in Jazz: The Infinite Art of Improvisation (1995)Thinking in Jazz: The Infinit…Thinking in jazz: the infinite art of improvisation (1995)Thinking in jazz: the infinit…Music, Imagination, and Culture (1990)Music, Imagination, and Cultu…The tabla of Lucknow: a cultural analysis of a musical tradition (1989)The tabla of Lucknow: a cultu…The Study of Ethnomusicology (1986)The Study of EthnomusicologyThe Theory of Practice and the Practice of Theory in Indian Intellectual History (1985)The Theory of Practice and th…Improvisation: Its Nature And Practice In Music (1980)Improvisation: Its Nature And…The Social Organization of a Music Tradition: Hereditary Specialists in North India (1977)The Social Organization of a …The Literatures of India: An Introduction (1976)The Literatures of India: An …Classical Persian Music: An Introduction (1974)Classical Persian Music: An I…PRESCRIPTIVE AND DESCRIPTIVE MUSIC-WRITING (1958)PRESCRIPTIVE AND DESCRIPTIVE …Rāgs Around the Clock (2024)Rāgs Around the ClockExperimental Music: Cage and Beyond (1975)Choreographies of Gender (1998)Sync or Swarm: Improvising Music in a Complex Age (2005)For a Relational Musicology: Music and Interdisciplinarity, Beyond the Practice Turn (2010)Silence : lectures and writings (2011)Steps to an Ecology of Mind (1973)Record and Hold: Popular Music between Personal and Collective Memory (2006)Sound Souvenirs : Audio Technologies, Memory and Cultural Practices (2009)Course in General Linguistics (2017)Handbook of Musical Identities (2017)Distinction: A Social Critique of the Judgement of Taste* (2018)Organizational Improvisation and Organizational Memory (1998)The Convergence of Planning and Execution: Improvisation in New Product Development (1998)A cross-cultural study of a circumplex model of affect. (1989)Tone and Voice: A Derivation of the Rules of Voice-Leading from Perceptual Principles (2001)The biology and evolution of music: A comparative perspective (2006)Folk Song Style (1959)Action, Criticism and Theory for Music Education (2004)Prescriptive notation: Limits and challenges (2007)Organizational Improvisation and Learning: A Field Study (2001)Improvising firms: bricolage, account giving and improvisational competencies in the founding process (2003)Transsexualism, Gender, and Anxiety in Traditional India (1993)The Concealed Art of the Soul (2007)Language of the Snakes: Prakrit, Sanskrit, and the Language Order of Premodern India (2017)Classification as Culture: Types and Trajectories of Music Genres (2008)Whiteness and the Ontological Turn in Sound Studies (2017)Modes of communication during jazz improvisation (2005)What Makes an Audience? Investigating the Roles and Experiences of Listeners at a Chamber Music Festival (2005)Making News at The New York Times (2014)Theorizing Musical Meaning (2001)Playing with History (2002)After Adorno (2003)
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References

  • 2001The New Grove dictionary of music and musicians2,583 cited
  • 1995Thinking in jazz: the infinite art of improvisation793 cited
  • 1980Improvisation: Its Nature And Practice In Music670 cited
  • 1996Improvised Music after 1950: Afrological and Eurological Perspectives419 cited
  • 1999Signs of Imagination, Identity, and Experience: A Peircian Semiotic Theory for Music371 cited
  • 2002Improvised Music after 1950: Afrological and Eurological Perspectives305 cited
  • 1995Thinking in Jazz: The Infinite Art of Improvisation291 cited
  • 1990Music, Imagination, and Culture241 cited
  • 1958PRESCRIPTIVE AND DESCRIPTIVE MUSIC-WRITING239 cited
  • 1985The Theory of Practice and the Practice of Theory in Indian Intellectual History160 cited
  • 1986The Study of Ethnomusicology157 cited
  • 1989The tabla of Lucknow: a cultural analysis of a musical tradition143 cited
  • 1976The Literatures of India: An Introduction79 cited
  • 1974Classical Persian Music: An Introduction33 cited
  • 1997The Rāgas of Early Indian Music: Modes, Melodies and Musical Notations from the Gupta Period to c. 125016 cited
  • 1977

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The Social Organization of a Music Tradition: Hereditary Specialists in North India
15 cited

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  • 2024Rāgs Around the Clock6 cited