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Fan Fiction and Fan Communities in the Age of the Internet
3 references·16 citing·46 second hop
Fan Fiction and Fan Communities in the Age of the Internet (2008)Fan Fiction and Fan Communities in the Ag…A Critique of Postcolonial Reason: Toward a History of the Vanishing Present (2000)A Critique of Postcolonial Re…Textual poachers : television fans & participatory culture (1992)Textual poachers : television…Reading the Romance: Women, Patriarchy, and Popular Literature. (1985)Reading the Romance: Women, P…“There is No Such Thing as Copying in Cosplay”: Cosplay as a Remixed Literacy Practice (2021)“There is No Such Thing as Co…Reading out of context: pornographic deepfakes, celebrity and intimacy (2019)Reading out of context: porno…Fandom, Negotiation, and Participatory Culture (2018)Fandom, Negotiation, and Part…Bury Your Gays and Social Media Fan Response: Television, LGBTQ Representation, and Communitarian Ethics (2017)Bury Your Gays and Social Med…Big Data in Organizations and the Role of Human Resource Management (2017)Big Data in Organizations and…Productive fandom : intermediality and affective reception in fan cultures (2014)Productive fandom : intermedi…Legitimacy, Validity, and Writing for Free: Fan Fiction, Gender, and the Limits of (Unpaid) Creative Labor (2014)Legitimacy, Validity, and Wri…Hallyu across the Desert: K-pop Fandom in Israel and Palestine (2014)Hallyu across the Desert: K-p…Nurturing Affinity Spaces and Game-Based Learning (2012)Nurturing Affinity Spaces and…Non-professionals Translating and Interpreting (2012)Non-professionals Translating…„Like men – only better” (2012)„Like men – only better”What Is Fanfiction and Why Are People Saying Such Nice Things about It?? (2011)What Is Fanfiction and Why Ar…Fan Cultures and Fan Communities (2011)Fan Cultures and Fan Communit…(Re)Writing Mary Sue: Écriture Féminine and the Performance of Subjectivity (2011)(Re)Writing Mary Sue: Écritur…Limit Play: Fan Authorship between Source Text, Intertext, and Context (2009)Limit Play: Fan Authorship be…Fanfiction Writing and the Construction of Space (2007)Fanfiction Writing and the Co…Between Men (1985)Handbook of Research on New Literacies (2014)Narrative Discourse: An Essay in Method (1980)Hamlet on the holodeck: the future of narrative in cyberspace (1997)Paratexts: Thresholds of Interpretation (1997)Transmedia Storytelling: Industry Buzzword or New Narrative Experience? (2015)Narrativas transmedia y contenidos generados por los usuarios: el caso de los crossovers (2016)Wattpad as a resource for literary studies. Quantitative and qualitative examples of the importance of digital social reading and readers’ comments in the margins (2020)Situated Learning (1991)Situated Learning: Legitimate Peripheral Participation. (1994)Communities of practice learning, meaning, and identity (1999)A call for promoting ownership, equity, and agency in faculty development via connected learning (2018)Reading and informal learning trends on YouTube: The booktuber (2019)Exploring the landscape of educator professional activity on Twitter: an analysis of 16 education-related Twitter hashtags (2020)Desire in Language: A Semiotic Approach to Literature and Art (1981)The Democratic Genre: Fan Fiction in a Literary Context (2005)A Fannish Field of Value: Online Fan Gift Culture (2009)The Rise of the Citizen Author: Writing Within Social Media (2017)Why Does Copyright Ignore Performers? The Case of Flamenco in Spain (2019)Does copyright understand intangible heritage? 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(1998) (1998)Consumer Value: A Framework for Analysis and Research (1999)How Brand Community Practices Create Value (2009)Think Practically and Look Locally: Language and Gender as Community-Based Practice (1992)How Consumers Consume: A Typology of Consumption Practices (1995)Autoethnography: An Overview (2010)Imperialism, Sovereignty and the Making of International Law (2005)Corporate Social Responsibility: The Good, the Bad and the Ugly (2008)Slumdog Cities: Rethinking Subaltern Urbanism (2011)
this work references cited by second hop

References

  • 1985Reading the Romance: Women, Patriarchy, and Popular Literature.2,910 cited
  • 2000A Critique of Postcolonial Reason: Toward a History of the Vanishing Present2,289 cited
  • 1992Textual poachers : television fans & participatory culture1,999 cited

Cited by

  • 2012Non-professionals Translating and Interpreting189 cited
  • 2012Nurturing Affinity Spaces and Game-Based Learning167 cited
  • 2014Legitimacy, Validity, and Writing for Free: Fan Fiction, Gender, and the Limits of (Unpaid) Creative Labor118 cited
  • 2011(Re)Writing Mary Sue: Écriture Féminine and the Performance of Subjectivity107 cited
  • 2018Fandom, Negotiation, and Participatory Culture105 cited
  • 2012„Like men – only better”102 cited
  • 2011What Is Fanfiction and Why Are People Saying Such Nice Things about It??99 cited
  • 2019Reading out of context: pornographic deepfakes, celebrity and intimacy87 cited
  • 2014Hallyu across the Desert: K-pop Fandom in Israel and Palestine81 cited
  • 2009Limit Play: Fan Authorship between Source Text, Intertext, and Context72 cited
  • 2014Productive fandom : intermediality and affective reception in fan cultures68 cited
  • 2007Fanfiction Writing and the Construction of Space

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68 cited
  • 2017Bury Your Gays and Social Media Fan Response: Television, LGBTQ Representation, and Communitarian Ethics63 cited
  • 2011Fan Cultures and Fan Communities56 cited
  • 2017Big Data in Organizations and the Role of Human Resource Management55 cited
  • 2021“There is No Such Thing as Copying in Cosplay”: Cosplay as a Remixed Literacy Practice48 cited