Arresting the Flux of Images and Sounds: Free Indirect Discourse and the Dialectics of Political Cinema

Abstract

This chapter analyses the works of Gilles Deleuze relevant to political cinema. It proposes that contemporary cinema should be conceived as a speech-act in free indirect discourse in order to address the issue of contemporary political cinema. The chapter suggests a more polemical reading of Deleuze's cinema books and argues that there is a dialectical shift between the movement-image and the time-image, or, between First, Second, and Third Cinema.

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