SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
The Routledge introduction to theatre and performance studies
0 references·8 citing·25 second hop
The Routledge introduction to theatre and performance studies (2014)The Routledge introduction to theatre and…Rehearsing and Performing in Design and Living Labs: Situated, relational, and embodied participatory design roles in partnerships. (2024)Rehearsing and Performing in …Goran Bregović – Ambassador of Balkan(ism) (2024)Goran Bregović – Ambassador o…The Sign Language Interpreted Performance: A Failure of Access Provision for Deaf Spectators (2018)The Sign Language Interpreted…"May a Wasp Sting Your Tongue!": The Armenian Stereotype in Ottoman Popular Performances from the Empire to the Nation-State (2018)"May a Wasp Sting Your Tongue…Recycled culture: the significance of intertextuality in twenty-first century musical theatre (2017)Recycled culture: the signifi…Performative læringsrum på digitale scener - dramadidaktik og sociale medier (2017)Performative læringsrum på di…Performing Catastrophe: Erwin Piscator’s Documentary Theatre (2016)Performing Catastrophe: Erwin…Introduction: The Japanese Robot and Performance (2016)Introduction: The Japanese Ro…Eichmann in Jerusalem: A Report on the Banality of Evil (1964)The Value of Narrativity in the Representation of Reality (1980)The Dialogic Imagination: Four Essays (1981)The Forest of Symbols: Aspects of Ndembu Ritual (1970)Vibrant Matter (2010)Vibrant Matter: A Political Ecology of Things (2010)Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)Speech Genres and Other Late Essays (1986)Postmodernism, or, The cultural logic of late capitalism (1991)Singing Utopia (2024)The interpreting studies reader (2002)The Semiotics of Theatre and Drama (2003)Introducing Interpreting Studies (2016)The Encyclopaedia of Islam (1954)A Dictionary of Linguistics and Phonetics (2008)A brief history of the late Ottoman Empire (2009)HOW TO DO THINGS WITH WORDS. The William James Lectures delivered at Harvard University in 1955 (1963)Gender trouble: feminism and the subversion of identity (1990)Gender Trouble: Feminism and the Subversion of Identity (1991)A Sweet Lullaby for World Music (2001)Gypsy Music, Hybridity and Appropriation: Balkan Dilemmas of Postmodernity (2011)The Routledge Introduction to Theatre and Performance Studies (2014)A Ladder Of Citizen Participation (1969)The reflective practitioner: How professionals think in action (1984)Grounded Theory and Sensitizing Concepts (2006)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2017Recycled culture: the significance of intertextuality in twenty-first century musical theatre15 cited
  • 2024Rehearsing and Performing in Design and Living Labs: Situated, relational, and embodied participatory design roles in partnerships.13 cited
  • 2018The Sign Language Interpreted Performance: A Failure of Access Provision for Deaf Spectators7 cited
  • 2016Introduction: The Japanese Robot and Performance6 cited
  • 2018"May a Wasp Sting Your Tongue!": The Armenian Stereotype in Ottoman Popular Performances from the Empire to the Nation-State5 cited
  • 2016Performing Catastrophe: Erwin Piscator’s Documentary Theatre5 cited
  • 2017Performative læringsrum på digitale scener - dramadidaktik og sociale medier4 cited
  • 2024Goran Bregović – Ambassador of Balkan(ism)2 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work