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Waving the flag: constructing a national cinema in Britain
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  • 2009Culture in Camouflage102 cited
  • 2002Media and the Making of British Society, c .1700-200086 cited
  • 2010The ‘creative treatment of actuality’: Rationalizing and reconceptualizing the notion of creativity for documentary practice69 cited
  • 2007Film Architecture and the Transnational Imagination52 cited
  • 2009“Going to the movies”: accounting and twentieth century cinema43 cited
  • 2005Vernacular culture and the place of folk music36 cited
  • 2006Millions Like Us? Accented Language and the “Ordinary” in British Films of the Second World War28 cited
  • 2010Adapting a Literary Nation to Film: National Identity, Neoromanticism and the Anxiety of Influence23 cited
  • 2005?Got to Dance my Way to Heaven?: Jessie Matthews, art deco and the British musical of the 1930s19 cited
  • 2013Dowagers, Debs, Nuns and Babies: The Politics of Nostalgia and the Older Woman in the British Sunday Night Television Serial15 cited
  • 2019Proposing a Post-heritage Critical Framework: The Crown , Ambiguity, and Media Self-consciousness14 cited
  • 2011Heritage Film Audiences 2.0: Period film audiences and online fan cultures12 cited
  • 2015Retro, faux-vintage, and anachronism: When cinema looks back12 cited
  • 2004

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At home and abroad with cine enthusiasts: Regional amateur filmmaking and visualizing the Mediterranean, ca. 1928–1962.
11 cited
  • 2001CONJURING THE TEMPEST10 cited
  • 2001Is There an Audience in the House?10 cited