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Modern Music and After
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Modern Music and After (1995)Modern Music and AfterLa presencia del repertorio contemporáneo en la formación permanente del profesorado de las Enseñanzas Artísticas en los Conservatorios de Música de Comunidad Autónoma de Castilla y León (2021)La presencia del repertorio c…Composing Freedom: Elliott Carter’s ‘Self-Reinvention’ and the Early Cold War (2019)Composing Freedom: Elliott Ca…Heard Utopia vs Utopian Hearing: Haas'sin vainand Political Ambivalence in New Music (2018)Heard Utopia vs Utopian Heari…Defining Twentieth- and Twenty-First-Century Music (2017)Defining Twentieth- and Twent…Musique concrète, French New Wave cinema, and Jean Cocteau'sLe Testament d'Orphée(1960) (2015)Musique concrète, French New …A Cross-genre Study of the (Ec)Static Perspective of Today’s Music (2015)A Cross-genre Study of the (E…Fragment, Time and Memory: Unity in Kurtág'sKafka Fragments (2014)Fragment, Time and Memory: Un…PIERRE BOULEZ'S ‘SUR INCISES’: REFRACTION, CRYSTALLISATION AND THE ABSENT IDEA(L) (2013)PIERRE BOULEZ'S ‘SUR INCISES’…Morton Feldman's Graphic Notation:Projectionsand Trajectories (2012)Morton Feldman's Graphic Nota…Maintaining Disorder: Some Technical and Aesthetic Issues Involved in the Performance of Ligeti'sÉtudesfor Piano (2012)Maintaining Disorder: Some Te…Sonorystyka w twórczości kompozytorów polskich XX wieku (2010)Sonorystyka w twórczości komp…Ageing of the new: the museum of musical modernism (2004)Ageing of the new: the museum…The climate since Harry Partch (2003)The climate since Harry PartchThe Sounding Object (2002)The Sounding ObjectLe paradoxe postmoderne et l’oeuvre tardive de Luigi Nono (2002)Le paradoxe postmoderne et l’…Kurtág, Modernity, Modernisms (2001)Kurtág, Modernity, ModernismsGenesis of a Music (1949)Harry Partch: A Biography. (1999)The New Grove dictionary of music and musicians (2001)Going Flat: Post-Hierarchical Music Theory and the Musical Surface (1999)Music in the Moment (2007)Musical modernism at the turn of the twenty-first century (2010)The Oxford history of western music (2004)The Oxford History of Western Music (2006)Silence : lectures and writings (2011)Film sound: Theory and practice (1985)The sounds of commerce: marketing popular film music (1999)Beyond the soundtrack: representing music in cinema (2008)The meaning of contemporary realism (1963)Philosophy of Modern Music (1976)Stocktakings from an apprenticeship (1992)The Structure of Atonal Music (1973)The rest is noise: listening to the twentieth century (2008)– The Symbolic Construction of Community (2013)Archaeology of Knowledge (1970)The Postmodern Condition: A Report on Knowledge (1984)The Location of Culture (2012)Contemporary Music and Its Futures (2020)Looking Towards the Future: Popular Music Studies and Music Scholarship (2020)Theory on the South Side: Muhal Richard Abrams's Engagement with Joseph Schillinger's System of Musical Composition (2023)Tonality and Transformation (2011)Tonality and transformation (2011)From 1989, or European Music and the Modernist Unconscious (2017)STAIRWAYS IN THE DARK: SOUND, SYNTAX AND THE SUBLIME IN HAAS'SIN VAIN (2019)Acoustic Theory of Speech Production (1971)Computation and Cognition (1984)On computation and cognition: Toward a foundation of cognitive science (1989)An Experimental Study of Apparent Behavior (1944)The motor theory of speech perception revised (1985)Principles Of Gestalt Psychology (2013)
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  • 2002The Sounding Object104 cited
  • 2018Heard Utopia vs Utopian Hearing: Haas'sin vainand Political Ambivalence in New Music14 cited
  • 2017Defining Twentieth- and Twenty-First-Century Music14 cited
  • 2012Morton Feldman's Graphic Notation:Projectionsand Trajectories12 cited
  • 2010Sonorystyka w twórczości kompozytorów polskich XX wieku12 cited
  • 2019Composing Freedom: Elliott Carter’s ‘Self-Reinvention’ and the Early Cold War10 cited
  • 2001Kurtág, Modernity, Modernisms7 cited
  • 2014Fragment, Time and Memory: Unity in Kurtág'sKafka Fragments6 cited
  • 2003The climate since Harry Partch6 cited
  • 2015Musique concrète, French New Wave cinema, and Jean Cocteau'sLe Testament d'Orphée(1960)6 cited
  • 2004Ageing of the new: the museum of musical modernism5 cited
  • 2015A Cross-genre Study of the (Ec)Static Perspective of Today’s Music5 cited
  • 2002Le paradoxe postmoderne et l’oeuvre tardive de Luigi Nono5 cited
  • 2021La presencia del repertorio contemporáneo en la formación permanente del profesorado de las Enseñanzas Artísticas en los Conservatorios de Música de Comunidad Autónoma de Castilla y León3 cited

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2012
Maintaining Disorder: Some Technical and Aesthetic Issues Involved in the Performance of Ligeti'sÉtudesfor Piano
3 cited
  • 2013PIERRE BOULEZ'S ‘SUR INCISES’: REFRACTION, CRYSTALLISATION AND THE ABSENT IDEA(L)3 cited