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APPLIED THEATRE RESEARCH: DISCOURSES IN THE FIELD
16 references·1 citing·28 second hop
APPLIED THEATRE RESEARCH: DISCOURSES IN THE FIELD (2014)APPLIED THEATRE RESEARCH: DISCOURSES IN T…Key Concepts in Theatre/Drama Education (2011)Key Concepts in Theatre/Drama…The politics of intention: looking for a theatre of little changes (2009)The politics of intention: lo…Performance Affects: Applied Theatre and the End of Effect (2009)Performance Affects: Applied …Acting together: ensemble as a democratic process in art and life (2009)Acting together: ensemble as …Taming the political: the struggle over recognition in the politics of applied theatre (2007)Taming the political: the str…The Aesthetics of the Oppressed (2006)The Aesthetics of the Oppress…Has it made a difference? Understanding and measuring the impact of applied theatre with young people in the South African context (2006)Has it made a difference? Und…Drama for change? Prove it! Impact assessment in applied theatre (2006)Drama for change? Prove it! I…Applied drama: the gift of theatre (2006)Applied drama: the gift of th…Developing an ethics of practice in applied theatre: Badiou and fidelity to the truth of the event (2005)Developing an ethics of pract…Why “Social Theatre”? (2004)Why “Social Theatre”?Miracles are happening: beyond the rhetoric of transformation in the Western traditions of drama education (2004)Miracles are happening: beyon…Applied Theatre: Bewilderment and Beyond (2003)Applied Theatre: Bewilderment…Applied theatre : creating transformative encounters in the community (2003)Applied theatre : creating tr…Art-Based Research (1998)Art-Based ResearchPower/Knowledge: Selected Interviews and Other Writings 1972-1977 (1980)Power/Knowledge: Selected Int…El Teatro Aplicado como campo interdisciplinario de investigación en los Estudios Teatrales (2019)El Teatro Aplicado como campo…The Interpretation of Cultures (1974)Acting out of habits – can Theatre of the Oppressed promote change? Boal's theatre methods in relation to Bourdieu's concept of habitus (2008)Collective voicing as a reflexive practice (2013)Creating dialogue by storytelling (2013)Distinction: A Social Critique of the Judgement of Taste* (2018)The Politics of Performance (2002)Theatre and War (2016)Speaking, feeling, mattering: Theatre as method and model for practice-based, collaborative, research (2018)Applied Theatre as a strategy for intervention with disadvantaged groups: a qualitative synthesis (2021)Experiential Learning : Experience as the Source of Learning and Development (1983)The Location of Culture (2012)Demystifying process drama: exploring the why, what, and how (2016)Is it true that young drama practitioners are more creative and have a higher emotional intelligence? (2021)Music, drama, and social development in Portuguese children (2023)Cultivating the art of safe space (2008)The Cambridge Introduction to Theatre Studies (2008)Interrupting Flow: Researching Play, Performance and Immersion in Festival Scenes (2013)Arts and humanities research evaluation: no metrics please, just data (2015)Performing care (2020)The Call to Performance (2016)Realising potentials for arts-based sustainability science (2021)Posthumanist Performativity: Toward an Understanding of How Matter Comes to Matter (2003)Unsettling the Coloniality of Being/Power/Truth/Freedom: Towards the Human, After Man, Its Overrepresentation--An Argument (2003)Critical Discourse Analysis (2015)Practical Application of an Indigenous Research Framework and Two Qualitative Indigenous Research Methods: Sharing Circles and Anishnaabe Symbol-Based Reflection (2009)Mode 3 Knowledge Production in Quadruple Helix Innovation Systems (2011)Open Innovation Diplomacy and a 21st Century Fractal Research, Education and Innovation (FREIE) Ecosystem: Building on the Quadruple and Quintuple Helix Innovation Concepts and the “Mode 3” Knowledge Production System (2011)The Routledge International Handbook of English, Language and Literacy Teaching (2010)
this work references cited by second hop

References

  • 1980Power/Knowledge: Selected Interviews and Other Writings 1972-197722,285 cited
  • 1998Art-Based Research515 cited
  • 2006Applied drama: the gift of theatre293 cited
  • 2006The Aesthetics of the Oppressed262 cited
  • 2009Acting together: ensemble as a democratic process in art and life174 cited
  • 2003Applied theatre : creating transformative encounters in the community172 cited
  • 2009Performance Affects: Applied Theatre and the End of Effect149 cited
  • 2003Applied Theatre: Bewilderment and Beyond134 cited
  • 2009The politics of intention: looking for a theatre of little changes121 cited
  • 2004Miracles are happening: beyond the rhetoric of transformation in the Western traditions of drama education95 cited
  • 2006Drama for change? Prove it! Impact assessment in applied theatre85 cited
  • 2004Why “Social Theatre”?74 cited
  • 2011Key Concepts in Theatre/Drama Education71 cited
  • 2007Taming the political: the struggle over recognition in the politics of applied theatre69 cited
  • 2006Has it made a difference? Understanding and measuring the impact of applied theatre with young people in the South African context50 cited

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  • 2005Developing an ethics of practice in applied theatre: Badiou and fidelity to the truth of the event35 cited
  • Cited by

    • 2019El Teatro Aplicado como campo interdisciplinario de investigación en los Estudios Teatrales9 cited