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Vevo and the Business of Online Music Video Distribution
12 references·0 citing·49 second hop
Vevo and the Business of Online Music Video Distribution (2015)Vevo and the Business of Online Music Vid…Here We Go Again (2012)Here We Go AgainThe Swedish Model: Balancing Markets and Gifts in the Music Industry (2011)The Swedish Model: Balancing …Music, Social Media and Global Mobility: MySpace, Facebook, YouTube (2011)Music, Social Media and Globa…Drivers of the Long Tail Phenomenon: An Empirical Analysis (2011)Drivers of the Long Tail Phen…Creative determinants of viral video viewing (2010)Creative determinants of vira…Youtube: Where Cultural Memory and Copyright Converge (2007)Youtube: Where Cultural Memor…The new shape of online community: The example of Swedish independent music fandom (2007)The new shape of online commu…The Effect of Digital Sharing Technologies on Music Markets: A Survival Analysis of Albums on Ranking Charts (2007)The Effect of Digital Sharing…Everything is miscellaneous: the power of the new digital disorder (2007)Everything is miscellaneous: …Confessions of an Intellectual (Property): Danger Mouse, Mickey Mouse, Sonny Bono, and My Long and Winding Path as a Copyright Activist‐Academic1 (2005)Confessions of an Intellectua…Interactivity-as-Product and Interactivity-as-Process (2004)Interactivity-as-Product and …Monopoly television: MTV's quest to control the music (1996)Monopoly television: MTV's qu…Cybernetics. 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(1992)The internet and value co-creation: the case of the popular music industry (2013)Toward an understanding of political enthusiasm as media fandom: Blogging, fan productivity and affect in American politics (2013)Exchange and Power in Social Life (2017)Revenue, access, and engagement via the in-house curated Spotify playlist in Australia (2019)Web Mapping 2.0: The Neogeography of the GeoWeb (2008)The effect of social networking sites and absorptive capacity on SMES’ innovation performance (2016)Taken Out of Context: American Teen Sociality in Networked Publics (2017)Television’s Aesthetic of Efficiency (2011)Screening early modern drama: beyond Shakespeare (2014)Remediating the past: YouTube and Second World War memory in Ukraine and Russia (2017)When Creators, Corporations and Consumers Collide: Napster and the Development of On-line Music Distribution (2003)Studying the political economy of media and information (2005)Entertainment Industry Economics (2020)
this work references cited by second hop

References

  • 2007Everything is miscellaneous: the power of the new digital disorder462 cited
  • 2004Interactivity-as-Product and Interactivity-as-Process289 cited
  • 2007The Effect of Digital Sharing Technologies on Music Markets: A Survival Analysis of Albums on Ranking Charts249 cited
  • 2007The new shape of online community: The example of Swedish independent music fandom194 cited
  • 2010Creative determinants of viral video viewing158 cited
  • 2011Drivers of the Long Tail Phenomenon: An Empirical Analysis116 cited
  • 1996Monopoly television: MTV's quest to control the music100 cited
  • 2007Youtube: Where Cultural Memory and Copyright Converge97 cited
  • 2011The Swedish Model: Balancing Markets and Gifts in the Music Industry72 cited
  • 2012Here We Go Again61 cited
  • 2005Confessions of an Intellectual (Property): Danger Mouse, Mickey Mouse, Sonny Bono, and My Long and Winding Path as a Copyright Activist‐Academic157 cited
  • 2011Music, Social Media and Global Mobility: MySpace, Facebook, YouTube19 cited

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