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John Cage and David Tudor: correspondence on interpretation and performance
16 references·0 citing·27 second hop
John Cage and David Tudor: correspondence on interpretation and performance (2013)John Cage and David Tudor: correspondence…Silence : lectures and writings (2011)Silence : lectures and writin…Experimentalism Otherwise: The New York Avant-Garde and Its Limits (2011)Experimentalism Otherwise: Th…Sound Commitments: Avant-Garde Music and the Sixties (2009)Sound Commitments: Avant-Gard…New Music, New AlliesAmerican Experimental Music in West Germany from the Zero Hour to Reunification (2006)New Music, New AlliesAmerican…David Tudor as Composer/Performer in Cage's Variations II. (2004)David Tudor as Composer/Perfo…The Improvisation of Musical Dialogue (2003)The Improvisation of Musical …Conversing with Cage (2003)Conversing with CageThe Cambridge Companion to John Cage (2002)The Cambridge Companion to Jo…The Spirit Level (2001)The Spirit LevelThe Man Without Content (1999)The Man Without ContentAaron Copland: the life and work of an uncommon man (1999)Aaron Copland: the life and w…The Music of John Cage (1993)The Music of John CageThe Boulez-Cage Correspondence (1993)The Boulez-Cage CorrespondenceExperimental Music: Cage and Beyond (1975)Experimental Music: Cage and …Word and Object (1960)Word and ObjectThe Theater and Its Double (1958)The Theater and Its DoubleA paper with an interest in rhythm (2002)CHANCE AND CERTAINTY: JOHN CAGE'S POLITICS OF NATURE (2013)Musical Witness and Holocaust Representation (2015)The Law of the Oppressed: The Construction and Reproduction of Legality in Pasargada (1977)Improvised Music after 1950: Afrological and Eurological Perspectives (1996)Improvised Music after 1950: Afrological and Eurological Perspectives (2002)The social constructionist movement in modern psychology. (1985)The Rediscovery of the Mind (1992)Individual differences in reasoning: Implications for the rationality debate? (2000)A New Model of Social Class? Findings from the BBC’s Great British Class Survey Experiment (2013)Wealth and the Inflated Self (2013)Population health in an era of rising income inequality: USA, 1980–2015 (2017)Stage Fright, Animals, and Other Theatrical Problems (2006)The Virtual and the Real (2017)Tragic Pleasure from Homer to Plato (2017)Hearing Silence: The Perception and Introspection of Absences1 (2009)Music, dance and the total art work: choreomusicology in theory and practice (2012)After Adorno : rethinking music sociology (2003)Music and the materialization of identities (2011)Dubbing culture: Indonesian gay and lesbi subjectivities and ethnography in an already globalized world (2003)Giorgio agamben and the spatialities of the camp: an introduction (2006)Sacrifice and the problem of beginning: meditations from Sakalava mythopraxis (2007)‘Sound Effects (O.K., Music)’: Steve Reich and the Visual Arts in New York City, 1966–1968 (2014)The Gay Divorce of Music and Dance: Choreomusicality and the Early Works of Cage-Cunningham (2018)What is Reflection‐In‐Action? A Phenomenological Account (2009)Music, Language, and Texts: Sound and Semiotic Ethnography (2012)Music and Ethical Responsibility (2014)
this work references cited by second hop

References

  • 1960Word and Object5,851 cited
  • 2011Silence : lectures and writings864 cited
  • 2001The Spirit Level576 cited
  • 1958The Theater and Its Double567 cited
  • 1999The Man Without Content405 cited
  • 1975Experimental Music: Cage and Beyond317 cited
  • 2003Conversing with Cage211 cited
  • 2011Experimentalism Otherwise: The New York Avant-Garde and Its Limits209 cited
  • 2003The Improvisation of Musical Dialogue199 cited
  • 1993The Music of John Cage180 cited
  • 2006New Music, New AlliesAmerican Experimental Music in West Germany from the Zero Hour to Reunification166 cited
  • 2002The Cambridge Companion to John Cage156 cited
  • 1999Aaron Copland: the life and work of an uncommon man125 cited
  • 1993The Boulez-Cage Correspondence79 cited
  • 2009Sound Commitments: Avant-Garde Music and the Sixties59 cited
  • 2004David Tudor as Composer/Performer in Cage's Variations II.58 cited

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