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Unfree masters: popular music and the politics of work
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Unfree masters: popular music and the politics of work (2013)Unfree masters: popular music and the pol…The algorithmic network imaginary: How music artists understand and experience their algorithmically constructed networks (2023)The algorithmic network imagi…Does social media pay for music artists? Quantitative evidence on the co-evolution of social media, streaming and live music (2022)Does social media pay for mus…“One for the money”? The impact of the “disk crisis” on “ordinary musicians” income: The case of French speaking Switzerland (2021)“One for the money”? The impa…Popular Music Fans and the Value of Concert Tickets (2019)Popular Music Fans and the Va…Beyond the black box in music streaming: the impact of recommendation systems upon artists (2019)Beyond the black box in music…Towards ‘Embedded Non-creative Work’? 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(1998)Adoring Audience: Fan Culture and Popular Media (1994)Cold Intimacies: The Making of Emotional Capitalism (2007)Liveness: performance in a mediatized culture (2008)Holographic ABBA: Examining Fan Responses to ABBA’s Virtual “Live” Concert (2023)Left off the circuit: the impact of shrinking live music tours on cities (2024)Exploring the lived experience associated with fan-made goods: a serious leisure perspective (2025)Big other: Surveillance Capitalism and the Prospects of an Information Civilization (2015)The Black Box Society (2015)Weapons of Math Destruction: How Big Data Increases Inequality and Threatens Democracy (2016)Fra plate til plattform (2021)Cultural Evolution and Music (2023)The Social Life of an Optimised Song: Reconstructing the Networked Cycle of Digital Music-Making (2025)Latent Curve Models: A Structural Equation Perspective (2006)Does Chatter Matter? 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  • 2017Reluctant entrepreneurs: musicians and entrepreneurship in the ‘new’ music industry174 cited
  • 2013Making the Intern Economy: Role and Career Challenges of the Music Industry Intern149 cited
  • 2019Beyond the black box in music streaming: the impact of recommendation systems upon artists31 cited
  • 2015‘Home taping is killing music’: the recording industries' 1980s anti-home taping campaigns and struggles over production, labor and creativity27 cited
  • 2015Under the Cloak of Whiteness: A Circuit of Culture Analysis of Opportunity Hoarding and Colour-blind Racism Inside US Advertising Internship Programs27 cited
  • 2022Does social media pay for music artists? Quantitative evidence on the co-evolution of social media, streaming and live music25 cited
  • 2017The politics of the Digital Single Market: culture vs. competition vs. copyright21 cited
  • 2019Popular Music Fans and the Value of Concert Tickets18 cited
  • 2015Playing for Work16 cited
  • 2017Singing through the Screen: Indian Idol and the Cultural Politics of Aspiration in Post-Liberalization India14 cited
  • 2021“One for the money”? The impact of the “disk crisis” on “ordinary musicians” income: The case of French speaking Switzerland14 cited
  • 2018Towards ‘Embedded Non-creative Work’? Administration, digitisation and the recorded music industry13 cited
  • 2023

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The algorithmic network imaginary: How music artists understand and experience their algorithmically constructed networks
9 cited
  • 2016What Do Musicians Talk About When They Talk About Copyright?9 cited
  • 2017Are Musicians “Ordinary Workers”? Labor Organization and the Question of “Artistic Value” in the First Years of the Portuguese Musicians’ Class Association: 1909–19138 cited
  • 2015Running a record label when records don't sell anymore: empirical evidence from Poland7 cited