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Cited by

• 2007Weaving the Rainbow: Visions of Color in World History59 cited
• 2008An awful mark: symbolic violence and urban renewal in reform‐era China54 cited
• 1997Books, Letters, Documents44 cited
• 2009ETHICS, ICONOCLASM, AND QUR’ANIC ART IN INDONESIA37 cited
• 2020Reading socio-political and spatial dynamics through graffiti in conflict-affected societies26 cited
• 2019Islamic Art and Language as a Source of Inspiration Leading to Traditional Arabic Calligraphy Art19 cited
• 2015Geometry in Islamic Art11 cited
• 1995Tessellations in Islamic Calligraphy11 cited
• 1998In search of traces: Linkages of dance and visual and performative expression in the Iranian world9 cited
• 2003Cultural Considerations: Arabic Calligraphy and Latin Typography8 cited
• 2020The Journey of Islamic Art Through Traditional and Contemporary Calligraphy Painting8 cited
• 2010Sound and Silence in the Line: Re-Reading Turkish Islamic Calligraphy for Interactive Media Design7 cited
• 2003VALG OG VURDERING AV KUNSTBILDER I KRL6 cited
• 2010Two Assemblages of Cultural Transmission: Musicians, Political Actors and Educational Techniques in the Ottoman Empire and Western Europe5 cited