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Yellow Back Radio Broke-Down
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Yellow Back Radio Broke-Down (1969)Yellow Back Radio Broke-Down“The Unshriven Dead, Zombies on the Loose”: African and Caribbean Religious Heritage in Toni Morrison’s Beloved (2015)“The Unshriven Dead, Zombies …Cultural capital and the presence of Africa: Lorraine Hansberry, August Wilson, and the power of black theater (2011)Cultural capital and the pres…FCJ-069 Cultural Roots for Computing:The Case of African Diasporic Orature and Computational Narrative in the GRIOT System (2007)FCJ-069 Cultural Roots for Co…"A Man's Story Is His Gris-gris": Ishmael Reed's Neo-HooDoo Aesthetic and the African-American Tradition (1993)"A Man's Story Is His Gris-gr…Performance, History, and Myth: The Problem of Ishmael Reed's Mumbo-Jumbo (1988)Performance, History, and Myt…The Historical Novel (1962)Validity in Interpretation (1968)After the New Criticism (1981)African Religions and Philosophy (1969)Slavery and Social Death. A Comparative Study (1983)The Idea of the Holy: An Inquiry Into the Non-rational Factor in the Idea of the Divine and Its Relation to the Rational (2010)Studies in Iconology. Humanistic Themes in the Art of the Renaissance. (1939)From Behind the Veil: A Study of Afro-American Narrative. (1980)"I Was Born": Slave Narratives, Their Status as Autobiography and as Literature (1984)Conjuring the Mysteries of Slavery: Voodoo, Fetishism, and Stereotype in Ishmael Reed's Flight to Canada (2005)Imagined Communities: Reflections on the Origin and Spread of Nationalism (1984)Contingency, Irony, and Solidarity (1989)The Black Atlantic: Modernity and Double Consciousness (1994)“Africa Claiming Her Own”: Unveiling Natural Hair and African Diasporic Identity in Lorraine Hansberry’s Unabridged A Raisin in the Sun (2021)Orality and Literacy (1982)The way we think: conceptual blending and the mind's hidden complexities (2002)Intentional systems and the artificial intelligence (ai) hermeneutic network: agency and intentionality in expressive computational systems (2009)The Interpretation of Cultures (2017)
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  • 1988Performance, History, and Myth: The Problem of Ishmael Reed's Mumbo-Jumbo12 cited
  • 1993"A Man's Story Is His Gris-gris": Ishmael Reed's Neo-HooDoo Aesthetic and the African-American Tradition10 cited
  • 2015“The Unshriven Dead, Zombies on the Loose”: African and Caribbean Religious Heritage in Toni Morrison’s Beloved7 cited
  • 2007FCJ-069 Cultural Roots for Computing:The Case of African Diasporic Orature and Computational Narrative in the GRIOT System7 cited
  • 2011Cultural capital and the presence of Africa: Lorraine Hansberry, August Wilson, and the power of black theater4 cited

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