SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Serial Music, Serial Aesthetics: Compositional Theory in Post-War Europe
0 references·16 citing·37 second hop
Serial Music, Serial Aesthetics: Compositional Theory in Post-War Europe (2002)Serial Music, Serial Aesthetics: Composit…‘Irrational Nuances’: Interpreting Stockhausen's Klavierstück I (2022)‘Irrational Nuances’: Interpr…Realist Cinema as World Cinema (2021)Realist Cinema as World CinemaMelody on the Threshold in Spectral Music (2021)Melody on the Threshold in Sp…Herbert Eimert and the Darmstadt School (2020)Herbert Eimert and the Darmst…An Apprenticeship and Its Stocktakings: Leibowitz, Boulez, Messiaen, and the Discourse and Practice of New Music (2020)An Apprenticeship and Its Sto…Teasing the Ever-Expanding Sonnet from Pierre Boulez’s Musical Poetics (2019)Teasing the Ever-Expanding So…Composing Freedom: Elliott Carter’s ‘Self-Reinvention’ and the Early Cold War (2019)Composing Freedom: Elliott Ca…Inventing Tradition: Webern's Piano Variations in Early Recordings (2017)Inventing Tradition: Webern's…Animating the Object: Marcelle Deschênes and acousmatic education in Quebec (2017)Animating the Object: Marcell…Forma musical como um processo: do isomorfismo ao heteromorfismo (2016)Forma musical como um process…New Riffs on the Old Mind-Body Blues: “Black Rhythm,” “White Logic,” and Music Theory in the Twenty-First Century (2015)New Riffs on the Old Mind-Bod…Statistical Form amongst the D armstadt School (2014)Statistical Form amongst the …An Adventure into Outer Space: Stockhausen's Lichter-Wasser and the Analysis of Spatialized Music (2012)An Adventure into Outer Space…Series and Place (2011)Series and PlaceI nside L uciano B erio 's S erialism (2009)I nside L uciano B erio 's S …The Paths from and to Abstraction in Stockhausen's Gesang der Junglinge (2004)The Paths from and to Abstrac…Cybernetics, or control and communication in the animal and the machine (2nd ed.). (1961)How We Became Posthuman (1999)New Music, New AlliesAmerican Experimental Music in West Germany from the Zero Hour to Reunification (2006)Between Freedom and Control (2017)Non lieux [Auge M. (1992). Non-lieux, Introduction à une anthropologie de la surmodernité. Paris : Seuil.] (1993)The Information Age: Economy, Society and Culture (1999)Semiotics of musical time (2000)The Standard Edition of the Complete Psychological Works of Sigmund Freud (1953)Purity and Danger: An Analysis of Concepts of Pollution and Taboo (1967)Purity and Danger: An Analysis of Concepts of Pollution and Taboo. (1967)Race and the enlightenment : a reader (1997)Oxford Handbook of Evolutionary Psychology (2007)White Logic, White Methods: Racism and Methodology (2008)DeFord Bailey in Country Music's Multiracial Canon (2020)L'individuation à la lumière des notions de forme et d'information (1964)States, Events, Transformations (1993)Traité des objets musicaux (2022)The Structure of Atonal Music (1973)The rest is noise: listening to the twentieth century (2008)– The Symbolic Construction of Community (2013)Musical Form and Musical Performance (1969)Reading in Detail: Aesthetics and the Feminine (1988)Beyond the score: music as performance (2014)Time‐Space Experience in Works for Solo Cello by Lachenmann, Xenakis and Ferneyhough: a Performance‐Sensitive Approach to Morphosyntactic Musical Analysis (2016)Performing Knowledge (2020)Penser la musique aujourd'hui (1963)Orientations Collected Writings (1986)Listen: A History of Our Ears (2008)Being and Nothingness: An Essay on Phenomenological Ontology. (1958)Totality and Infinity: An Essay on Exteriority (2011)From The Emancipated Spectator (2025)Minima Moralia: Reflections from Damaged Life (1951)Noise: The Political Economy of Music (1986)Who Paid the Piper?: The CIA and the Cultural Cold War (2002)Heiner Goebbels and Curatorial Composing after Cage (2022)Theory of Prominence (2022)Olivier Messiaen's Turangalîla-symphonie (2023)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2017Inventing Tradition: Webern's Piano Variations in Early Recordings30 cited
  • 2015New Riffs on the Old Mind-Body Blues: “Black Rhythm,” “White Logic,” and Music Theory in the Twenty-First Century26 cited
  • 2019Teasing the Ever-Expanding Sonnet from Pierre Boulez’s Musical Poetics19 cited
  • 2011Series and Place15 cited
  • 2020Herbert Eimert and the Darmstadt School15 cited
  • 2016Forma musical como um processo: do isomorfismo ao heteromorfismo13 cited
  • 2019Composing Freedom: Elliott Carter’s ‘Self-Reinvention’ and the Early Cold War10 cited
  • 2014Statistical Form amongst the D armstadt School9 cited
  • 2021Realist Cinema as World Cinema9 cited
  • 2004The Paths from and to Abstraction in Stockhausen's Gesang der Junglinge8 cited
  • 2009I nside L uciano B erio 's S erialism7 cited
  • 2017Animating the Object: Marcelle Deschênes and acousmatic education in Quebec6 cited
  • 2021Melody on the Threshold in Spectral Music5 cited
  • 2022‘Irrational Nuances’: Interpreting Stockhausen's Klavierstück I4 cited
  • 2012An Adventure into Outer Space: Stockhausen's Lichter-Wasser and the Analysis of Spatialized Music

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

4 cited
  • 2020An Apprenticeship and Its Stocktakings: Leibowitz, Boulez, Messiaen, and the Discourse and Practice of New Music4 cited